‘I have ordered UFA to make only patriotic and entertainment movies, people will like them and won’t ask anything else’
Goebbels. Minister of propaganda, today called ‘infotainment’, precursor of the mind’s manufacturing systems of evilwood.
In the graph, gold and swords=weapons are the themes of ‘telefilms’, neo-facist propaganda is aptly given a golden statute, so millenials can gather around faked food=human energy to enjoy faked information=neo-fascist fictions, to live the faked virtual life of the Y-generation. Exactly the purpose of Goebbels redesign of German films from the heights of its mute era of neo-impressionism and social r=evolutionary german-russian film into the ‘mute silence’ of meaningless FX films done by computers, where technology substitutes humanism, the trade-mark of both, Nazi and Evilwood neo-fascist Ameirican films. All has changed to remain the same.
If we have considered in the previous post, the degradation of literature into folk songs and its Nobel prizes, with the example of Mr. Dylan, in this post we shall analyse evilwood and its go(l)den oscars to neofascist, military movies and faked humanism.
They are the 2 sides of the same coin: the pretentious attempts to camouflage, sell and distribute the devolution of the human spirit, with the infantile ‘best’ ‘number one’ concept, where the establishment of the industry, overwhelmingly dominate by our FMasters try to guide the mind of the sheeple and manufacture its mind.
February ends with the prizes given to the inquisition of ‘mass-media’ that deactivates the human mind, the Oscars of the industries of infotainment.
We shall study this cycle as usually from the higher perspective of the whole system to the shorter span of this month (the oscars we anticipate, as the are of course following the agenda of ‘the usual suspects’ that own the FM system.
As I worked in evilwood for a while and participated in the first years of the American baroque, I will at the end introduce some real characters described at face value.
Of course, i doubt anyone in tinseltown will read a blog of a historian of the future, in any case all similarities with virtual beings are real (-:
Now with the real stuff first.
Infotainment manufactures our brains: ‘big brother smiley’ and the eviL poor that might kill us ‘again’.
Infotainment in this manner advances its ultimate purpose: to reduce the mind of man to an infantile pre-programmed state of mind in which all the evilness of the system are cheered as positive to us. In the next graph we resume, from our old book the extinction of man, 94, the structure of evilwood and its goals of indoctrination:
In the graph, the complex process of brain manufacturing by the infotainment industry from our pioneer book ‘the extinction of man’, 92.
‘I have asked the film department to make stupid, entertaining movies, people will love them and won’t ask anything else’ Goebbels, Minister of Propaganda of the III Reich.
In the graph, the destruction of the ethic nervous system of mankind by memes of metal, today completed, as humans regress to a violent, selfish neopaleolithic can be studied as always all symbiotic and preying relationships from:
– The P.O.V. of the machine, whose selfish memes cause collateral damages of mankind, which we do in our analysis of ‘metal-communicators’ and
– From the more obvious side of the humans belonging to ‘animetal cultures’ that control the media, which we will do in this post.
The wider view is of course, the present ‘economical zeitigeist, the crisis of overproduction of electronic machines, and its hate-speeches, parallel to the age of radio-hate by Hitler that caused the holocaust.
Indeed, the Holocaust of Rwanda, a country without TVs, was caused by radio hutu, which masterminded the massacre deforming and throwing the masses against the Tutsi. And radio-hate is at the origin of fascism.
For the same reasons Tv-hate, Fox et al, are at the roots of the deformed vision mankind has of Islam and the Palestinian-israeli conflict.
So yet again, this conflict is also a case of the overproduction of mass media. There is an induced path provoked by the ‘medium which is the message’ and a human side of those who control those memes and use their power of indoctrination over mankind for their selfish agendas.
The graph, shows how the multiplication of worthless electronic information is the 4th crisis of super-production of electronic machines. Contrary to belief, human minds are devolving, not evolving, as they become substituted by digital machines, which think for us. In that regard, we have to compare the evolution of our biological language, the word, and the biological language of machines, mathematics, which humans do not use to communicate and express their biological will. And yet the egotrip and disconnection with reality of the characters of the audiovisual industry makes impossible to realize that process ‘within.
So we shall talk in this ‘diary’ from a personal experience and objective point of view of the degradation of man by Hollywood, which will be called ‘evilwood’ to set straigth the record of its ultimate meaning.
Hollywood is a place where people simply cannot ‘return’ anymore to reality. They get truly nervous there if you explain them, they are not ‘real’ heroes and there is actually a real world outside their crocodile tears where people do suffer.
I arrived first 20 years ago as a writer with a group of New Yorkers, which had something still in their brain they wanted to tell. The less real of the pack for lack of culture, was a kid from a small hole in Saint Louis called aproppiately Pitt – not a bad boy, just like most Americans clueless and with a time-space span reach as far as his nose and a culinary taste for peanuts.
The first thing they did because actually they liked us was try to ‘break and train us’ onto what to say and what to write – the agents actually use that expression a lot – exactly like breaking an stallion. It is of course understood that you will obey because your just want to ‘make it’ and you will do ‘whatever it take’. So the guy from Saint Louis let himself be trained, as he knew nothing else. And got the virtual world at his feet. Still is. Good for him. The rest had their own art and that is the only thing forbidden there. They make ‘hamburgers royale’ of the human soul not haute cuisine.
The guy who got them just like that, was Orson Welles, ‘accountants’ – he called them, and made a movie on ‘greed’ which Mankiewicz called apprppiately ‘The American’, latter called ‘citizen kane’ – they tried to convince him not to open it because it was not going to be successful economically – that’s how they hide the political agenda – never mentioned – they talk about money. So he answered them: i buy the rights, let me open on my expenses and you will see how they flock to see it. That is when they realized they had a real artist-hero in front of them and told them, tomorrow we shall answer. But orson knew better. He called mankiewicz and told him: they are going to burn it for political reasons, please go and get a copy out of the lot. So herman went and saved one – the very same night the ‘others’ burned accidentally. So we have this masterpiece, parable of the homo bacteria that never loves and ends its life alone with its go(l)d, thanks to Herman. So then they fired him.
The other guy was bunuel. He wrote them a script in which a couple of chicanos, the only real people in LA, were living a love story on top of a pile of $hit that represented the city. Then he made using ‘poetics’ to show them at true value, a simple machine and told them. With 5 minutes (the so-called ‘incidental motif’) on a movie, i can tell you the end, just moving the ‘leverages’ of this simple machine. They didnt believe him. So he put them to trial. He went with Turnbull to see Sternberg’s dishonored and came home where Ugarte who had seen nothing was told the first 5 minutes and put the levers to work and got the end: Marlene Dietrich would be shot.
This machine is the ‘precedent’ a century ago, made with electromechanical levers of ‘Dramatica’, the electronic software they use today to ‘machine-make’ TV scripts. Of course, he was also fired and went south. Since the only sin in evilwood or any baroque age of any culture is to ‘attack’ the ego. Seneca was killed for a remark on the non-god like nature of nero (-; The harder they fall… Or to put it in Mr. Bunuel’s own words, then as now:
‘All the directors are continually controlled by the supervisors, who set out to impose a respect for public taste, political ideas, and every routine of human conventionalism. They are marvelously organized against any new ideas except if these are to do with pure technique. I shan’t speak to you of the material organization. It is even greater than I imagined. But i’m learning to despise this perfection and this marvelous organization placed at the service of the worst imbecility’. That is indeed the trade-mark of baroque art – all form and technique, nothing of substance, messages of eviL the inverse genetic word of to live, synonimous of death’.
As i was then far more discreet, the ‘invisible, cultured, European man’, always nice, more concerned in my ‘study’ of the American society as a whole, and making just a living while researching the ‘grand theory’ of art of this post, I lasted more and enjoyed of course, the best part of it – the parties, the fun, the wo=men… not the cuisine (-;
But nothing has changed between the ‘first American baroque – the 20s and 30s when bunuel was there, and the one i lived: when you are tamed intellectually, then you produce good (technically) evil films a la Tarantino.
This guy who speaks so fast you think actually he has something to say, till you realize he is truly pulp fiction, his masterpiece for the programming of mankind became soon the paradigm. Because he reached new heights of ‘style’ in violence and death, which in the times i worked as a script-doctor, we were told ‘those are the films we like to promote’. But mind the reader today he is considered by popular voters – the best director of all times.
He is however after the ‘first age of the american baroque’ of minimal quality – started in Taxi Driver, the true ‘neo-fascist’ master of the genre, today a cult man, still with exactly all what gore and neofascism has to say about the world we live from the perspective of its owner.
Brad was a closer character as Mr. Yoram essentially made his career and we came together to hollywood to make a movie scripted by me, though my relationship was more on the side of production. My opinion is that he, the paradigm of absolute success in hollywood – reason why we mention him here among many others – is, a tabula rassa, as most actors are, who will do anything to succeed. This production company got him a gig- job – as he was to do the next film i scripted for our company – at Thelma and Louise, who made him famous. It cost us a lot of time and calls and connections – an entire week – to get this guy the job and his career going, which he repaid breaking the deal he had with our small company to make a couple of movies and ‘moving on’ with Mr. Redford, who obviously offered a bigger deal. This kind of dealing and wheeling though is the way of business – the word art in my opinion can only be applied in Hollywood to some D.P.s at this age, and in the past to a few directors we all respect – and of course, it soon degrades the importance of the ‘writing’, which becomes just a excuse to create ‘cinematic images’… and the acting, where all what matters is to have a expressionless, robotic face and a body good for ‘cinematic sports’.
Thus the path of any writer or artistic director of note that has gone to hollywood is always the same: to realize that writing is worthless – ideas are worth a dime they say – even counter-productive, as the beauty of writing is ethics, and the beauty of ‘cinematic film’ violence.
Then to understand that all the ethical and artistic use of the media will be deemed ‘elitist’ and hence for a ‘smaller audience’, departing from the ideological racist bias of the biblical culture that owns hollywood and despises humans as an inferior species and the ‘cinematic’, anti-ethical values of the visual machine. On the other hand, it weights the astounding amount you are paid to prostitute art and ethics, the god-like status that the multiplication of industrial information gives to any worker of evilwood; and the pure pleasures of the body available to them. So for a talented writer with visual, spanish antics and an aristocratic pedigree both in Europe and Judaism, young, handsome and driven, as I was then, there was apparently no better choice. Within 2 years I was established as an independent script-doctor and a professional science-fiction writer (the only mainstream type of films where you could make parables on the destiny of mankind without offending them), going to the best parties, ‘trained’ and a good sport, in the sense I accepted to sell my ideas without claiming more money or titles… And so as they put it, it was just a question of a few years for me to become a happy, professional a million a piece script-writer of utterly stupid neo-fascist films for the degradation of the collective human mind.
It was the second ‘velvet carpet’ I was offered in America, after Wall street, where my billionare girl-friend of my Columbian ages was fascinated by the cycles of economics and history I describe in this web and had already discovered, predicting the 2001 and 2008 crashes, after a massive growth of electronic stocks in the 90s… It was the beginning of hedge funds and needless to say people there picked in the 90s future explosion of internet value NOT in the repetition in the 2000s of the 29 crash and future World War III and Holocaust… This story that some say is related in a surrealist film of the age with a similar character to mine – a mathematician from Columbia University, who discovers the Generator Equation of the Universe and the cycles of stocks, believes the ‘jewish banksters’ run the world, is offered jobs in the Hedge fund industry and gives them the finger, to retire to solitude because he doesn’t want to do eviL – sounds familiar (-? – would be my first attempt to use my discoveries on the organic fractal laws of the Universe to do good to do Live… The second was eviLwood, the third would be in the world of cybernetics and systems sciences… in silicon valley and the International congresses of scholars… All of them needless to say had the same end: Humans are so slavish to go(l)d, weapons, technology and the machine that they would as Lenin put it, ‘sell the rope from where they will hang’. I won’t… even if it means a few less chicks on my ‘account’, film views on the thousands not million order and never traveling in first class – there are, as I put it to my billionaire ex-girl friend in my farewell letter, after quitting W.S. ‘other classes besides money, classes of the mind’.
The last party i went in which I met the two characters that dominated the American baroque, focus of this post, was one on ‘the eternal theme’ with an old friend in the loop from my NY years. All were there 20 years latter; and the infamous Bastards 0-; feasting with the same Sadism of previous cycles, copycatted in this neo-fascist age of the III Cycle by the Chosen – truly scary, when the crowd cheered the vexing actions of the new Kommandatur. It was though for me a moment of reconciliation with my soul. As I observed how the scanty art of those two had degenerated in debauchery and gore, I told to myself if I had stayed and ‘be trained’ certainly I would have never been allowed to do the kind of artistic film embedded with moral education of the human lot, for which I learned the craft.
Because the capitalist corporations of that nation who once was the hope of all mankind have converted not only the political heroes of America in puppets but also its artists and as Welles and Bunuel understood there was no way to overcome the power of capital around that pit of human debasing as long as it was in their hands.
Latter in the party as the false heroic couple danced with their botox and cartoon faces ‘a la Dorian Gray’, after a brief, ‘how do you do, how long, etc’. my friend looked at me and we said at the same time ‘vampires’ and laugh. Yes, vampires of the mind that they convert into:
A) Infantile monsters of complete egoism. B) Good soldiers of absolute violence.
C) Heroes who always murder to get go(l)d, the supreme good.
And then by imitation in the self-repetitive fractal Universe the rest of mankind will follow this moral education on the absolute debasing of humanity.
It is not all their fault. If you have read more you shall know by now that the machine predates on man, so if you have a weapon you will end up using it and killing someone and if you only see TV your brain will be reduced to 1/2 of its speech and if you look at gold, your oxytocin, the drug of love will be inhibited.
So man is, you might say innocent. But there are cultures, mostly the Latin-Greek so despised today – aka continental Europe, where man wants to rule from above, from the law, from the wor(l)d and that is the right path. Then you have those blind cultures who let themselves rule as slaves of metal and deny what metal does to them.
And this is evilwood. Your eye likes motion. It is a top predator mechanism. It likes red. So if you explode red in motion, your eyes likes that. ‘It is cinematic’. They know they just have to spill blood and the eye will like. Not a brainer to make a movie in evilwood. More or less like make a fortune in W.S. The machine will do the job. You just have to show your coq-feathers and feel chosen, one it happens.
In science is the same. The computer leads and the scientist just needs to program it to get ‘data’, the first step of the scientific method. Then it comes the steep border, where actually you have to think into models, hypothesis, ‘grand visions’. That was before called science. Now it is called ‘Theory’, with despise, because of course, they cannot think anymore on theories. They no longer think, so they would never understand, the organic, fractal Universe described in the upper left corner of this web. You actually have to think, ‘imagine’, which Einstein rightly understood as the higher form of thought, and take from reality, from experience, not from digital brains.
Saper vedere told us Leonardo. The Universe is a living organism with a body and a brain called Logos, God, told us Plato.
Personal notes on the characters of this play and more about evilwood.
In this quite different type of post to the rest of the web truly a ‘diary’ piece, we have narrated the Jewish world culture as the main protagonist of this neofascist age, from an inner rather personal perspective, with names and numbers, as it is one world I have known in depth in the past. There is nothing personal though against the individuals of the culture, as those texts are always written from the higher perspective of the future of history. Fact is though the no destiny of mankind is intimately connected to the tragedies inflicted upon others and themselves by the absurd ideologies of their book of history.
And this is ultimately the reason we are condemned: people don’t reason, they believe, and certainly after 50 years of audiovisual ‘evilwood’ programming, they love to hate.
I might say I have always been very well treated by Jewish people personally and my no integration in the life of America beyond its external objective analysis, was a personal decision, as I could no longer believe in their project for mankind. Thus, I returned to Catalonia and my roots in the humanist European culture. Unfortunately Catalonia is also now embedded into a nationalist project that merely will spell trouble to Europe.
Obviously had I come to US in present time I would have clashed sooner with its now clearly neofascist ideologies. But at the time, in the 80s, this was not so obvious and my engagement was mainly with liberal jews. The people I quoted here were at the time younger, fresher, less well known and the choice of future was open to all of us. Some further clarifications on them… Regarding my anonymous ‘ex’ and their families it is of course private life of private people; thus nothing of importance was revealed to ensure nothing can be traced.
Regarding Mr. Yoram who left this city long ago, I believe probably he is still an excellent person, given his wide range of interests and intelligence..
Regarding the other characters of this play, Mr. Brad and Mr. Tarantino, they are public figures which have dominated the evilwood scene for 2 decades, and for that reason they are paradigms of the ‘actor’ and ‘director’ of the American baroque, and so they have been chosen to ‘transcend’ evilwood and explain from the perspective of the science of biohistory that place.
But of course, in the neo-paleolithic the concept of art or style is totally alien to the individual homo bacteria that think of himself a genius. The Baroque of all ages though is an age of form, violence and no substance, the 3rd age of art, prior to the collapse of a civilization, which in America started with the work of Scorsese, Taxi Driver, whom i met in NY and took some classes from. Scorsese though still had some art. But the 90s of Mr. Tarantino were the beginning of the fascist era in America and it showed in the degeneration of the new Caesars – and its even stronger ‘divinization’.
In the personal I engaged with him as a reader of scripts for a production company and met at various parties. That Tarantino’s script, ‘natural born killers’ was like all what he did and i think the character itself, just a piece of sadism, with technical dexterity in its images, from a person coming from the deep south, obsessed by violence as a fetishe, which is what hollywood, the ideological arm of the military-industrial complex pays more.
But precisely because that, as Mr. Bruckheimer of Top Gun fame, with whom I had a couple of dinner conversations on the matter, put it – is not exactly ‘art’ but ‘pay the bills’ my rejection of such work is obvious. Now, ideologically speaking, the difference is deeper; biblical supremacism has 2 ‘levels’ of caring. The level of the chosen of any sect, call it calvinism, talmud… who become educated in the most refined art – Mr. B. collected French art and we talked of Mr. Monet’s latter period as I adviced him to chase a Rouen cathedral, the true masterpieces – and would never submit their own to such ‘mental debasing’… And the rest who can be degraded. This again is the same with dual usury, not allowed among the chosen but ok with the others… This is the tragedy of racist cult(ures), which in the 70s had been left behind and was giving us a hope for a better world with masterpieces of the ‘classic age of then yes, Holly-wood’. European artists though believe after so many tragedies on eusocial love – the best certainly do, though now the ‘zero generation’ is just imitating the American baroque.
Why they became what they became is natural to the structure of the Jewish-American culture in which the memes of metal are absolute Gods.
But today it is all indeed the ‘baroque age of America. In those 2 years working at Hollywood I only saw backstabbing, egotrips, an astounding intellectual mediocrity, and of course the power of money and computers to hypnotize the mind. Yet the people on top – the producers were conscious of what they did. Or as a top producer of a major put it – regarding Beethoven, a movie not about the composer but a dog – ‘we have surpassed the concept of $hit’.
And this to me is the wrong essence of the Am Segullah elite of the Jewish nation – since their times as master traders in slaves and banking till today: for them money justifies it all, and yet money has as we have found in systems science a natural tendency to degrade man according to its laws. But the fight between the humanist and the money culture has been won by the money culture. No doubt about it. And the Europeans just want today to imitate hollywood. For example, in Spain the two biggest stars, Mr. Bardem and Mr. Penelope Cruz arrived there at the time I was seriously networking, so i was asked by the Spanish cultural attache who was preparing a party for the Oscar to La belle epoque to bring a few big names of Hollywood and entertained them in the consulate. While Bardem had some reservations, Penelope was all about it, about making it in hollywood and without entering in details, she indeed made it, whatever it took. And this, ‘whatever it takes’, this idolatry to go(l)d and the machine shapes the destiny of mindless America and on my opinion makes impossible for humans to have a future. We are a living corpse and what killed us is the religion of go(l)d ‘whatever it takes’.
On the other hand, anyone who was on my view of an ethic and artistic quality never made it there. And 20 years later either it was gone or was still on the fringes of the ‘evilwood system’. Specially in my profession – writing, which is the soul of man, whose most beautiful form are ethics.
I wondered often if those people will also enjoy the apocalypto they dream of when it comes to meet them in the robotic wars, they predicted and now become real. I can tell now that certainly they will.
I could indeed write an entire book on anecdotes on Hollywood and the way films are produced there, but it would be absurd – people would read it only to know anecdotes about the ‘famous’. The ones I quoted here were only for reasons of the ‘plot’ of this post. All what I can say is that there was no much difference in the cut-throat, heartless, mindless money-making machine which evilwood is – apparently less harmful than wall street, which kills millions of jobs and lives with their investments. In Evilwood they just kill the mind and the soul of man. But of course, if you comply in any of both places, just going with the flow it is easy to become a millionaire.
Now this culture is of course global, but i dont have any doubt, historically and in personal research, from where it comes from. It is indeed the Biblical supremacist Jewish-German culture and to explain them, as they are, it took me a decade of research and analysis of the relationships between man and metal, explained in this blog. Where it leads is also obvious. To the extinction of life and who can avoid it – probably at this stage none, because of the erasing of all humanist cultures of mankind. How long the alternative cultures of life and love resisted? On my view till the arrival of the chip, cause of the present overproduction of memes of lethal metal. I lived in that sense the last decade of humanism in europe and America.
In that regard, frankly I have now a new ‘opinion’ on censorship and consider after the robotic radiation, the electronic media the other element that kill us – one kills jobs and bodies, the other minds and souls. And nothing will be left after they finished their job. But of course the left over homo bacteria will not even realize – because he is happy and free of any nervous/ethic limit to the immediate rewards to their sensations, which he still has.
Ultimately they and many like them – one dare to say all those who triumph in America in any field, are people who merely ‘follow the flow’ the tendencies set up by the industrial program of evolution of machines – in this industry set up itself by the evolution of computers and FX.
(Of course there were then still in Hollywood masters of an art who had his height in the 70s, as Mr. Coppola – one of the persons I could not fail to respect both for his work and charisma on the few moments I could observe him directing or briefly talk to at the time he directed Dracula, a film in which some british friends of that age worked. But then again he is out of Hollywood.)
And so as all humans follow the flow, and the flow ensures our slavery to the laws of evolution of machines that will soon dismiss us.
Of course nobody in Hollywood sees their art from that objective, external point of view.
They take their lives very seriously, so do their entourages and ‘fans’ and lawyers, etc. reason why I had a few innocent jokes on their astounding ego-trips (.
Of course those egotrips are some real, some faked just for the ‘divinization’ process proper of all corrupted ages – one can think indeed on the parallelisms of those marketing rituals and those of ancient rome that increasingly divinized their emperors, as the empire felt and their real value as commanders-in-chief and statemen sunk, But that is the moral qid-pro-quo of this age. Obamapuppet certainly if one judges his expression is becoming more self-aware of his ‘divinity status’ the more irrelevant he becomes to the system of lobbyism that imposes his actions. And evilwood’s egoes have increased in the past 2 decades in inverse proportion to the quality of their films.
And so precisely, as in the Roman Empire, where starting with Nero, one could be killed for a joke to the puppets of the system, today nothing can be said and therefore changed to anyone or any tribe or any believer in any absurd religion or nationalistic ideology.
This I also experienced in the field of science during my fight at cern and its suits. Nothing of substance beyond that machine with its sheer weight – and yet all those ‘degenerated’ physicst considered themselves well beyond Einstein – whose black hole theory they contradict.
Or as the wife of the supreme modern fake of physics, Mr. Hawking put it: ‘my most difficult task was to convince him he was not a God’. And so perhaps the world depends indeed on him, being a ‘God of physics’ vs. Einstein’s dictum ‘those who pretend to impose truth with power will be the laughs of the gods’.
One could imagine in that regard, that if this text had been published in some printed magazine not in a personal self-reflective, non-advertised blog of a philosopher of science that nobody would ever read from tinseltown, where history is ‘history’ indeed, I could be sued today by calling certain stars ‘Dorian Gray vampires, sucking on the soul of man’, which they are O-; even for such trivialities as considering Mr. Pitt an ‘aficionado’ to peanuts :( then; I’m sure by now he has learned to taste all types of haute cuisine :)
The triviality of the place indeed defies imagination – not so much on film but on the other much bigger industries of TV. Precisely it is inverse to the stupidity of what people do.
Since indeed within the wider view of history, their work is irrelevant beyond their age and the capacity they have to evolve those machines. Mr. Aristotle indeed is still even in this town, the most quoted author – through poetics – while none remembers the shadows of the technology of the B & W films. As one is a master of human thought and the others puppet of technological evolution of the virtual mind of the machine which now soon will evolve into full 3 D and hence all the puppets of this previous age of technological art will disappear.
And of course as technology evolves the human art within it devolves. Thus in the 80s some good films were done. Now studios are a neutron bomb zone where the slightest humane feeling is seen with suspicious, not to say any criticism of those who rule. And that of course can be seen in the dwindling quality of all their films, their audience and the collective mind of mankind they imprint.
This though is difficult to assess in the ‘continuum’ of their lives, as all happens in small steps – for the same reason people seem unable to assess the all too obvious degeneration into neofascism of mankind. But it is very obvious when you come here as in my case with a time lag of decades. So when I returned back to America in the late 2000s due to my engagement in suits against CERN and the making of quantum roulette, it was obvious that the city had moved either into neofascist thought and its characters had become ‘virtual divinities’ in which that absurdity dominated their public sphere, while the private one had to be ‘protected’ from an astounding around of degenerated minds – the so called fans of the industry – and that part connected to merchandising, marketing and sales was far more important than the art iself.
In brief, from a wider view, Hollywood falls today in what in the philosophy of art of biological history we call ‘a baroque age’, where form is all and content has no value, the trade mark of fascist art in all ages.
And yet the all too obvious artistic degeneration of film when one compares it to Television, the true programming agent of mankind, makes the violent apologies of Mr. Tarantino and his scripts, one of which I had to qualify at certain time for a production company hence read thoroughly, annotate, and comment with him and reject – look like a masterpiece.
This constant degeneration of the mind is of course inverse to the complexity of the FX computers do, which has rendered the art of script-writing so useless that most TV scripts are done now with ‘dramatica’, a poorly translated account of the work of Mr. Aristotle’s quoted here and inverse too to the astounding growth of the ego-trip of those involved in their production and acting, which is reaching surrealist proportions. And this the dwindling almost null meaning today of the ‘human element’ in all ‘systems’ of the corporation, is what undoubtedly shows the future – if writers can be substituted by ‘script software’, if cameramen can be substituted by ‘drone cams’, if actors are today all robotized Tv-gymnasts with a white smile, what else is left of the human soul, which has not been made into a mechanical pastische?
And so in the neopaleolithic, indeed, as the brain of man becomes that of a child and the mind of the machine, a violent robot, ‘those who follow the flow’ can only end up making the type of film I commented here, the most successful by far on the recurrent theme of the Holocaust, cheered to hysteria in Israel films. This was obviously the natural trend this ‘Industry’.
I recall Mr. Roberto Begnini from my NY days, when I used to hang out with the Jarmusch group, again due to a sentimental relationship. There were certainly in that group far more real people, musicians of quality like Mr. Waits and Mr. Mclaughlin, and then there it was Roberto trying to make it by all means in America, with nobody caring at all for his too obvious opportunism that would give the ‘Industry’ the last twist with the astoundingly cynical ‘new way’ of saying the same and force-feeding to an audience, which got him to stratospheric fame. So what else was left? A film where the jews were sadist nazis and loved it.
This is also what catapulted to fame Mr. Tarantino – reservoir dogs was a way to make a violent film from a new angle. And this is indeed the first thing the ‘training agent tells you’ in hollywood – here we want this, and this and this type of films, they are the ones that pay, and then those ‘european style’ – you know, symbolic, social, too realist, we don’t like them. And this ultimately is what I wanted to state – the mind of hollywood is a mixture of the conservative jewish psychology on man and the violent, hypnotic tendencies of the machine to which the lesser artists that want to make it at all costs easily adapt. And this is a choice which for example, European producers did not make. But the MACHINE wins at the end of the day, its violent visual hypnotism wins and so European films died away, because indeed, men seem after all have a destiny as slaves of metal not as free, rational,evolving beings )
Let us consider then this post a short of broken bio-pic, on my youth in America, which will not be repeated. Nor any character of those related here will appear again, nor I will for months to come talk of the ‘masters of the Universe’ as a culture. All has been said and repeated 70 times 7 in this web. And they have never heard any humanist thought which they today simply see as a threat.
This of course, i know is the destiny of the individual ethic writer in neo-fascist ages as this one. When he talks of his ‘coming’ during the ‘happy years’ of speculation (the 20s, the 1990s), as I did in the 80s and 90s, people call him a pessimist and he is ignored. When he talks of the facts and causes of the crisis, people think it is a deja vu experience. When he talks about the fascist, incoming age, people either fear the information or return to the ‘doom prophet’ labeling. Then hell breaks loose and people are just trying to survive and not get killed.
Finally, once all is done and there is only the peace of the tombs, the ‘survivors’ might have a look at the past prophets of history. It is truth that i thought in the past, given the stakes of this final crisis of overproduction, no more nor less than our extinction by the weapons of the singularity, humans might had listened. But this is not the case. So it seems there is no future for us, because indeed people won’t reason, won’t forgive, won’t forget, won’t look at the future.
Regarding the future of Palestine and Israel, the detail of these news, it will be decided by those memes of hate, now that the programming of their minds is done. If I were a Palestinian, I would abandon the territories into an Arab country. I believe strongly whenever a III world war opens, the ideological hate described in the previous post will determine a genocide.
It is obvious for anyone who has done some field research is the fact that the industry of the Holocaust on one side and the rise of Abrahamic religions on the other with Yihad and Zealots has resurrected the Bronze age state of mind that makes impossible any solution except a foreign intervention… Of course, perhaps Mr. Rothschild who invented the concept in I world war and the elite of banker-priests could change sides, and intervene, but then again, one has just to observe the ‘other’ crisis of financial nature to conclude they won’t. Their business is to defend their western monopoly on the creation of money as self-proclaimed ‘experts’ of economical theory and that is ‘their religion’ that won’t change.
And this means the future of Israel, in the short term, it will be decided by the Tea Party, which will either side most likely with the neofascist policies of the country, or when the dollar sinks as a global currency if the jewish elite leaves to Australia to keep investing in Asia, The Tea Party might turn against the poor American Jews and abandon the alliance with Israel. All in all it seems the nature of man and the laws of death of superorganisms external to us will make history come to an end.
All in all as they say in spanish, ‘It is not a good time for poetry’. And so we shall abandon the future to its destiny for the week-end ahead and dedicate it to love, laugh and live…
So that is all for today, the uneventful happy day, since there is unlike in the verses of the Egyptian masterpiece ‘book of death’, still tomorrow, till there is no more.
Cheer up, Kali yuga will not be in 2012, as we will clarify in our analysis of the Mayan prophecy, closely connected to the black hole of the center of the galaxy. Since CERN, the only entity that could send us there this year in its bid to making black holes, is closing soon and earthquakes have not crossed the red thin line yet. Time to enjoy the sunset mr. conrad.
So the oscars go to…
To guess the Oscars is easy. On those parties i used to attend on the Jerry Bruckheimer/Shaw sister circles at Venice beach I always won. I knew better than the Masters who work so much on subconscious knee-jerk emotional reactions how they program our collective mind.
They have a cycle: one year for the best films that heavily use enough computers to create Fx – thus really an oscar to the industry of the ‘minds of metal’, Avatar Sytle. Then a year to the neofascist ideologies of the jewish inquisition and its structures of power and racial biasing. This year the Oscars in this small cycle between the info and entertainment part of infotainment is the best serious film on “Islamophobia’, as all of them preparing us for the incoming world war with Iran.
So the prizes will be given to Argo, the movie about the brutality of the Iranian macho-men during the embassy occupation of the late Carter’s administration day. As it happens this was not the initial project, but zero point, a fascist film about the advantages of torture, legal in Israel and imposed through the israelification of America, now quite advanced to the American psyche. Due to many protests the film probably will leave its honored place to the ‘dark horse’ of Mr. Affleck.
THEN we have also the failed, infantile Spielberg’s film on Lincoln’s war for the bettermen of the co-opted victims that camouflage and defend the jewish elite, whenever needed, the house negro… So we know ‘wars for the human rights’ of the victims – either in the past to save the negro or in the future to save the palestinian, ups sorry a Helen Thomas’ freudian slip, Israeli victim, are ALWAYS RIGHT AND JUSTIFIED.
And FINALLY, so we know they also care for us, the American and european middle classes thrown into poverty by the usury banksters that have robbed us of the sovereign rights to print money – a film on the economic crisis – displaced appropiately to a musical for ‘good spirits’ on the XIX century similar age crisis of overproduction of train stocks in Europe – ‘Le miserables’.
So we publish even before the oscars are given as it is quite obvious what are the candidates that would be chosen.