‘I have ordered UFA to make only patriotic and entertainment movies, people will like them and won’t ask anything else’
Goebbels. Minister of propaganda, today called ‘infotainment’, precursor of the mind’s manufacturing systems of evilwood.
‘We do entertaining and patriotic movies, people love them’ Jack Valenti, ‘Boss’ of the Motions Picture Association
In the graph, evil wood has taken the concept invented by nazism, of a population perfectly indoctrinated in a ‘visual, violent, patriotic, entertaining, sport-riddle eternal youth’ a la ‘time machine’ (Wells) to its absolute perfection So Americans first and increasingly the world at large lives in a matrix of fictions and nazionianisms, unaware of the real existential questions humanity faces this century.
In that sense, the symbols of evil wood are those of realpolitiks and animetal power: gold statutes and swords=weapons in a modern version of the Baal statutes of the first age of the go(l)iron culture. Those two goals, money and weapons are also the themes of most ‘telefilms’, the neo-facist version of the old propaganda ministry, which is aptly consumed by millenials. Its zenith comes now on February when the American children can gather around a faked get-togther->virtual screen with faked trash food=human energy to enjoy faked information=neo-fascist fictions, to live the faked virtual life of the ¥-vidi-credo ergo sum-generation.
The industry thus fulfills exactly the purpose of Goebbels, the true founder of our modern civilization with its redesign of German films, plummeting from the heights of its mute era of neo-impressionism and social r=evolutionary german-russian film into the ‘brutish sounds and meaningless FX films done by computers, of modern film-making, where technology substitutes humanism, the trade-mark of both, Nazi and Evilwood neo-fascist American films. All has changed to remain the same.
In this post we shall analyse evilwood and its go(l)den oscars to neofascist, military movies of the ‘two nations’ to which they people who own evil wood belong – American military movies and Holocaust Industry to portrait Israelis as victims, which amount in both cases to justify their ‘license to kill’; then entertaining movies, without any message, the more childish the better. and finally movies about the ‘INDIVIDUAL’ as the only PLANE OF EXISTENCE OF HISTORIC REALITY, with a faked edulcorated, sentimentalism that passes as humanism – lacking any depth.
As America lives now Weimar America, in its ‘Baroque’ 3rd age of art, those trends are even more ‘exaggerated’ by the massive use of FX and visual rhetoric. Ultimately what evil wood kills as their Owners, the FMasters that print information and money have no limit budget is the possibility of Film as Art, which ultimately is the problem of having a dictatorship of a racist culture issuing the money that buys the lifetime of all artists in that country. They have a very phony view of mankind, which is either eviL (gore holocaust movies) bad and good (primitive biblical dualist memes), or COMPLETELY REPRESSIVE OF THE NATURE OF MAN, AS THAT IS THE ESSENCE OF A GO(L)D CULTURE TO REPRESS, ALL THE MEMES THAT MAKE LIFE PLEASURABLE.
So the result which you can extend to the entire Anglo-American culture except its geniuses and heterodox which precisely for the treason go to the other extreme is an edulcorated form of film, perfectly acted, totally shallow in the deep understanding of the human soul – external and basically as the essential ANIMETAL cult(ure) of gold and weapons, with a single theme: you hate, you kill, you steal, you get rich, that is the meaning of human existence…. ‘genre’… We are NOT though making here a study of the masterpieces of American film… mostly about eviL but of the ‘manufacturing of brains’ of the Goebbels method… Violence=weapons, Hate memes to the poor = neo-fascism, racism, go(l)d supreme – all with a lot of fun, perfect technique, excellent acting and amazing technicolor…
Independent film making then used to have some good stuff going on, but now it is becoming always politically correct, even in camera with those vintage ‘washed up’ brown colors of metal diarrhea, coming back to the ridiculous ‘black movie’ of mr. Spielberg, which black intellectuals laughed so much at. Needless to say the ‘you’ are the producers and scriptwriters, so all is policed, the artists the few latinos that are left to work there (Italians, Coppola, scorsesse, di caprio, Niro, Pacino and of lately as they left the Mexicans do their stuff, their directors, but as all is sliding down obviously you cannot compare Coppola with Inarritu). Among the ‘yous’ and anglos the true masters, Welles, Kubrick were always ostracized. The place KNOWS what it does – the mind of mankind reduced to the values of gold and iron, repressed in the pleasures of sex and life, and especially IN THE SOCIAL LOVE TO HUMANITY THAT COULD SAVE US ALL – IT does NOT exist, the individual IS by decree, divide and win, consume machines do NOT need humans, the only ‘self’ of this planet, pure entropy.
When I went there, the first thing my agent told me is that all the genres I wanted – social, surrealist, documentary, expressionist, artsy, etc. were NOT on the book – whammies, historic correct drama… so that leaves only two genre, worthy: sci-fi, which I chose and comedy…
The rest are all about the pretentious attempts to camouflage, sell and distribute the devolution of the human spirit, with the infantile ‘best’ ‘number one’ concept, where the establishment of the industry, overwhelmingly dominate by our FMasters try to guide the mind of the sheeple and manufacture its mind.
Update – Feb – 2018 – Nominations for… entertaining, patriotic, Gorebbels movies.
Unable to understand us, mankind, the culture that rule us, the memeplex of judaism, our Financial-Media Masters, are at pains whenever trying to describe those of whom they feel victims, despite being its predators through the systemic asphyxia of the species without credit or welfare – all money for machines, in evil wood, those who make special effects, FX, this years oscars thus goes to another absolutely non-entity of thought, like Lalaland or anything since the silence of the lambs, gore movie of a cannibal hero, perfect paradox of the vampire…
We might call the American version of the Goebbels method, Gorebbels movies, because they add the Gore, bloody, whammy, patriotic or holocaust red technicolor ad nauseam repetitions of the same themes, which were lacking in the B&W Goebbels age. So what are the Gorebbels candidates for this year?
It is though politically correct, not less no more than a Mexican director, with as many nominations as Titanic, another sinking ship of platitudes. This time a ‘mute’ falls in love with a rather ridiculous ‘swamp beast’, imitation of an old b-movie about a swamp beast from the amazon on the 50s McCarthy age, aptly set up in Baltimore on the 50s… We are back in time.
The movie of course is NOT even original ‘ideas are a dime a dozen’ they say in evil wood because they rob them all and never pay rights to the writers. So this one was ‘suggested’ by Daniel Kraus a you producer to Willy Bull from a classic of ecologism: Let Me Hear You Whisper’ by Paul Zindel, where a woman working in a military lab, falls in loved with a dolphin that the scientists are going to kill unable to recognize its speech – same story, even similar sequences and scenes, but reconverted into garbage for retarded kids – the girl made mute, the dolphin she tries to save made a stupid beast copycat of the B-series on swamp creatures in the McCarthy er – so not even the ecological messages is left. Evilwood has no messages except the hypnotic power of its FX. Now we are far lower in taste than McCarthy’s: mind the reader then it was a B-movie now is the one of the most nominated movies of all times.
Of course they won’t nominate any real movie about the surreal world of this year; as I see on the same virtual screen the 0.02% gathering at Davos, masterminded by another FMaster, Mr. Schwartz, to talk thin air about why the economy goes so well, as we grow our armies of robotic workers, and we pass the mark of money of the 99% – those heinous humans who hate us all.
Up there the Financial side of the masters, down the Media side – both symbiotic, both using the same virtual screens, which ‘you’ just use to invent digital numbers as money to dominate the world. Since ‘you’ are NOT doing science of economics, ‘you’ are a parasite; and so ‘you’ double in evil wood with infotainment for the masses – Goebbels’ method always in mind:
Parasites inoculate inhibitors, but they cannot even do something minimally intelligent? I confess I could not see much of it, after all the water has no shape, and the film is about non-sense, foggy water in yellow-green with ugly people, the monster vs. the beauty, moral monsters that is, consuming beauties but here not even that… All ugly everywhere. So what about talking on human beings? No the parables of your monsters and superheroes, can you be normal… Ah but foggy water is good. After all their script writers are unable to see us, human beings, to understand us, human beings, to give back to us what belong to caesar, credit to create a better world for human beings, not this ridiculous never ending fantasy of pain and infotainment and computer FX.
And so what is the second most nominated film of the year? You don’t need to be genius, to get the trend – after the entertaining film following the Goebbels-Valenti method, a patriotic movie. But since evil wood must connect with the 99%, obviously it cannot be about that nice chap, Mr. Trump, who brought us the embassy to our real capital, but about our liberation war – you guess it, Dunkirk; a patriotic film about II world war and the nazis, just in case you have forgotten them after 70 years, those who made us victims of history. So now a provocative thought? What if in Dunkirk Guderian had been left alone to massacre the soldiers Hitler left to escape and UK had surrendered? Well, we would still be seeing ‘patriotic and entertaining films’ – no much would have changed, only the color of the uniforms – as the war cycle IS the same, IS not human, is caused by the evolution of weapons and machines… Got it.
This of course is the question -not to talk of the 99%:
Wall Street which owns after all evilwood always has it clear, what matters is the 1% of ‘maricones’ and the o.ooo1% of privileged actresses touched or not touched in her royal a $$es, so the 99% mankind can truly suffer IN SILENCE… Nothing against defending your a$$ or let them fuk it, but raped women and maricones are still totally irrelevant in numbers compared to what it matters to good film, MANKIND, SOCIETY, the ab=uses of the eco(nomic)system to the 99% of Americans, of which evilwood has done nothing remarkable for decades. The only notable film on the economic crisis was in fact ‘inside job’, made by an outsider who had to pay himself the film…
In fact the best film of this year in Hollywood the one of florida didn’t get anywhere. As long as they remain invisible and 50% of mankind aka women care only for their royal a $$es and the movies with oscars are retarded remakes of Series B of macarthy age (the monster of the lagoon)… Goldman Sachs will be fine
it sucks but who owns U$ owns the mind of the people… and of course on top to disguise the real reasons of all that circus, it all looks so modern and politically correct, 4 oscars in 5 years for the chicanos, one for a travesti, another for a neutered beast in a bathtub you name it…
Yet humanist cultures still do human movies…
So what is the best love film of the year? An Eastern European film you go for love stories, on body and soul, of dreaming together the same paradise, no longer alone – despite schopenhauer’s dictum.
Here for free if you want to enjoy still ‘films about mankind’ – just close fast the opening screens with sound at zero till they stop and enjoy:
Eastern film makers have substituted Dogma as the masters of this decade. Likely in that mood, the best film on the system during the 2010s would be:
In a Russian coastal town, Nikolai is forced to fight the corrupt mayor when he is told that his house will be demolished. He recruits his old Army friend to help, but the man’s arrival brings further misfortune for Kolya and his family.
No doubt of it, the best description of our social system, ‘capitalist democracy’ coming from that country we like so much to hate, Russia, on the social arena. Of course it didn’t won any significant ‘festival prize’, oscar or palm d’or. Who cares. Leviathan no doubt DOESNT deserve the Oscar, or rather the Oscar doesn’t deserve Leviathan, the monster of capitalism and militarism which has even infected what once was the last hope of the wor(l)d.
Now if you compare both type of films, you will realize the whole difference between the faked world of the Fmasters with is faked representation of a species they have ab=used as human capital for so long they don’t even know what we are, and the heirs of the last of the human r=evolutions, the heirs of Dovstoyevski, still humans, still able to describe the tortures and pleasures of evil and Live, of hate and Love…
The other patriotic gore movies
Every human being is a potential genocider of us all, innocent victims, as we all know of the holocaust… industry, which keeps increasing the number of holocaust films, paradoxically as the dates recede in history, in proportion to the growing power and globalisation of the FMasters culture. A century has passed but if you want to won an oscar or a Nobel prize, you know the drill, talk of that heinous human species, which we have the right to choke off credit ridicule in our movies and murder at distance with our robot-terminators. It is just preventive war because obviously they are going to hate us, if we keep killing them first. Twisted logic indeed.
Who won the year of Leviathan you might ask? Or shall I even reply? Obviously as every other year, another gore-bbels movie of hate memes against mankind with the theme of the Holocaust. ‘If you repeat a half-truth – only the end of the process not the economic causes of the cycle – many times, people will believe it – that we humans are genociders and the go(l)de culture the only victim of history that ‘matters”. That’s the mantra. So the winner was:
“Ida is a 2013 Polish drama film set in Poland in 1962, it is about a young woman on the verge of taking vows as a Catholic nun. Orphaned as an infant during the German occupation of World War II, she must now meet her aunt. The former Communist state prosecutor and only surviving relative tells her that her parents were Jewish. The two women embark on a road trip into the Polish countryside to learn the fate of their family.
Called a “compact masterpiece” and an “eerily beautiful road movie”, the film has also been said to “contain a cosmos of guilt, violence and pain”,
I would call it more garbage for the mind: the topic insults to Catholicism, the topic gore of murderous polish, the topic victims remembering how much they hate us, etc. etc. That is what evil wood understand of the renaissance of eastern films or rather the only thing it cares about their systemic millenarian brutalization of ‘slavs’, the name put by jewish slave traders in the Middle Ages when they did massive traffic on eastern women for Islamic Harems and called them whole sale slaves – then after thousands of years of anti$emitism against slave traders, usury debt and tax farmers, alas, NOT them but the nazi germans, fighting for the title of absolute animetal eviL kill them, among 30 million other victims of the Holocaust, which was first planned, by SS-commander to clean up the eastern lands of primitive slavs for German peasants – NOT targeted to Jews primarily but to slavs, as it happens there were Jews there also and they went up in smoke among 30 million slavs, which are not chosen of go(l)d enough to deserve our pity by the holocaust industry.
But we must it seems also blame the slavs for that holocaust as those films show. Of course all that garbage would be even taken further by the gore last oscar of ‘the eye of Saul’ which is like the ideal concept: marrying of modern go-pro cameras on the head, with holocaust gore as the guy follows into the ashes itself.
‘Dust of space-time you are, dust you shall become’.
And since we are speaking on the traffic of slav women by our ‘victims’, during the Middle Ages, let us move on the same theme, as the slave traffic continues in the modern ones, in the same evilwood place…
UPDATE – OCTOBER – 2017 IUS PRIMA NOKTIS.
Droit du seigneur (“lord’s right”), also known as jus primae noctis refers to a legal right in medieval Europe, allowing feudal lords to have sexual relations with subordinate women. Here in Catalonia was abolished after the King unified the country. In evilwood is still going on for what we hear of a former acquaintance, Mr. Weinstein.
I met the ‘loving brothers’, back in the 90s when i worked as a script doctor – loving brothers because they were actually making love to each other, ‘sic’, according to one of his best friends, Yoram, latter head of the National Film School at Israel, a gay producer which was a close friend since WE came together from NY to get jobs for his start up actor Mr. Brad Pitt, after his success with ‘partying glances’, the first movie on AIDs where he discovered Buscemi… Then he paid me a script for his new discovered actor and we hit spiritually, so we came together and Yoram got the guy his job at Thelma and Louise (no fuking together sorry im not gay but respect all sexual tendencies, as long as they are consensual – neither agree with the always ready puritan denial of fluid exchange, the essence of the organic orgasmic Universe, just another form of capitalist repression of human reproduction, so we all work reproducing machines)…
At the time, I was passing for a European you, charming, cult and with the looks of a model, glided easy on power-parties – had not yet become anti$emite, just exploring the Power elites of U$, trying to convert them to humanism. My goal though – to find producers and directors who wanted meaningful scripts, was a lost cause in a place, which behind its charm and beauty knew perfectly it was the mind of the system – even those who rebelled were ‘posing’ as rebels – the owners would police any dissident as they had done since Mccarthy.
So I would leave soon in my pilgrimage from Wall Street to Evilwood to Silicon Valley, where I r=evolved systems sciences with the same goal, expressed in this blog – but again there they just wanted to make go(l)d with AI and robots, never mind they ALL know they will kill mankind with it – live the day… carpe diem and ‘do black magic’ (Indeed, there the CEOs of Intel and Apple turned out to be huge followers of black magic and devil sects, ‘sic’, that’s all what Intel’s CEO wanted to talk about, and apple’s bite IS to mean the devil’s bite on the bad golden fruits of the tree of science – they all KNOW what they do in the 3 centers of eviL=antilive power of the American metal-earth Wall Street, evil wood and silicon valley, and their owners are almost all ‘yous’ with its segregational hate memes against mankind, as if they were not us – they think indeed, they will get away with the murder of their species and ‘transcend’ into the machine-god, Kurtzweil style, never mind the Holocaust Cycle, they deny – if they kill mankind as the cycle shows, at the end of all the splendid wars for profits, as they ARE humans too they will fall ‘again’).
Back to evilwood. Then I still thought they could convert, their memes were flexible and so I was among them, preaching love and a future paradise.
My fav script project was about Intelsoft and the end of the world on the negative – the waking up of the metalearth internet, when switched, we asked her ‘there is god’ and she answered, now there is god, and started the end of the world, as machines threw humans out of automated cars and ejected pilots and started killing us all (it might be actually the real way it happens). Not interested, the machine looked bad and it was a bad ending… the Superhuman must aways win – though the producer of Independence Day, passed it to the bro who used the ‘concept’ of starting not ending the movie with the end of the world. THEN on the POSITIVE I had this beautiful concept of making ‘Foundation’, the movie of Asimov’s revolution of bio-historians, but BROUGHT BACK TO THE PRESENT, WHERE his psychohistorians were biohistorians, Seldon was my alter ego, and they made a global r=evolution, with Miss Potus, Mr. EU and Mr. China, implementing as a triad MULE the perfect world of these texts. Of course, they didn’t understand. They were interested in the fascist version of Asimov, an empire of traders and capitalists, making machines and Gold.
So the ‘bite’ worked, Asimov’s Foundation was OK, the real product, a movie to generate interest on bio history (then far less anti$emite) was of zero interest. They all rejected it. And so I ended doing silly script-doctoring to eat, resurrecting Ms. Ripley as a clone in a spec for Alien 2, anonymous working as Dalton Trumbo did, for mediocre writers, correcting their scripts just for money, who cares, and of course having the kind of sex-drugs and rock&roll life of those who slowly go down ‘leaving Las Vegas’ style, till I had enough of it, accepted that as Wall Street, those were also camouflaging as humans but care nothing for the day, carpe diem, sex was rife, and actually as all ‘wo=men were whores’ for fame or go(l)d, the best were the porno-actresses of inland empire. That was the set up of that late 80s-earlier 90s; similar to the 20s as defined by Isherwood.
The place in that sense is ‘owned’, has always been by ‘black sheeps’ of the go(l)d chosen FMasters, who preferred ‘babylon’ to ‘jerusalem’, ‘evilwood’ to ‘wall street’, promiscuity to Torah. So of course all the producers there, gay or straight are about money and sex, like their counterparts in wall street which are about money and pray; what unifies them all is the go(l)d meme, the belief all humans are ‘capital’, and those who engage with them, must let themselves be bought and sold.
Of course, I am not against any form of sexual exchange of human fluids, we are living systems, if it is consensual. I am not even against selling sex for money, though I have little interest when money is involved; since to me emotions are important. But the go(l)d meme has always a financial value for a non-chosen, as emotions are ONLY involved with its segregated lot. So if I learned something those days when I moved among Am Segullah producers is that for them all gentile women are Shiskas – the name of a gentile woman and a whore in Talmud (both synonymous).
And this all people know there. You get yourself raped as an actress, pretending it is consent, just in ‘case’ the master after the Ius Prima Noktis will give you a role. And if not, take it easy, ‘don’t take it personal’, that is the game.
It is indeed the corruption of the go(l)d meme, whose influence in a culture, in memetics is directly proportional to the ‘temporal inertia of an animetal cult(ure)’ in contact with the meme. So germans are still the most violent genociders – now in the American army and serial killer series. And of course, all ‘you memes’ think they can buy anything with the language of Go(l)d. Now when the go(l)d master is a fat, preposterous, small=dick big-mouth jerk – and that is the role, things get secret, as you don’t want to know.
But in the morning the network will tell everybody who did you lay and trust me they have all been laid and the way to pretend nothing happens is ‘not to take personal’. Ius prima noktis is a custom, and if you don’t like it, you can go beyond the mountains in the ‘Inland empire’ and there you have to fuk for money in the empire of porno, as beauties are a dime a dozen, all free lance and now that nobody makes any meaningful script – software dramatic does it for you, anyone can be a star or a porno-actress, so you go under and the next morning everybody in the ‘network’ knows you have scored.
But the Weinsteins seemed to be different because of the contradiction between its crass taste for porno coupled with its good taste for films – within the limits of melodramatic boredom of even the best ‘manufactured evilwood films.
My interest was obviously on making meaningful documentary-fiction films on the future and so I did have an interest to talk with them in a few occasions we met, but they had zero r=evolutionary feeling and a mediocre intelligence. Like Yoram though they had instinct for people and talent, and they were in the center of the network. Those were the earlier 90s were still anything went. And sex was not yet taboo. Nobody hid it. Still the Weinsteins liked harsh and dirty.
Yoram after one of those crass nights on gay clubs, told me their biggest secret – they were bi, and so dirty and full of themselves, they were fuking each other through all their holes – actually someone else confirmed it to me, a few months latter… but that is of course beyond the limit of ‘babylon’. So nobody will dare to publish even today… and likely the two brothers won’t confirm (: At the time I smiled to myself, it made perfect sense, in the quintessential nazionanist cult(ure) above heavens and earth – since if you think you are go(l)d chosen, if you only think in your navel/ego, if nobody else matters than your ego, and ‘you’ have an image of ‘you’rself, the perfect masturbatory act is ‘fuking yourself’… That is why I did recall that age so vividly when it came on tv-news. It did not surprise me at all the facts but the fact that US-TV would denounce the Masters of the Universe…
You see, the people of the ‘network’ divides between babylon and Jerusalem, but united stand for the sake of Go(L)d, meaning both tolerate each other, while everybody else opens up whatever holes are required to work in town. All that matters is the law of silence, so the ‘phoney, repressed, Americans – mostly from jerusalem don’t get scandalise. But of course, now that the scandal is open, everybody is trying to cash, denouncing each other, in yet another ‘low’ of the Truman show.
Suddenly you get failed actors accusing Mr. House of Cards, for a tabloid prize, and the hypocritical producer – to do eviL is not problem, the important thing is to ‘hide it’ – the trade mark of the go(l)d culture, the law of silence, the double talk…
Fact is nobody cares, you could go to a raunchy orgy at the home of the lawyer of Mr. Garth brooks, that phoney ‘biggest best-seller in the history of music’ country artist, ‘believer in Yhwh’, which would pass by an interpret a ridiculous melody while the Jacuzzi was packed of gay boys. Nothing wrong, whoever wants to exchange fluids is free- the problem is the systemic ab=use of sex through power and go(l)d, to convert humans in flesh-objects for a prize; the only taboo in evilwood being ‘love’, true EXCHANGE OF EMOTIONS forbidden – as there is a level of EGO which prevents the individual to HAVE EMPATHY=love for others; ‘goodness’, social or personal, in the age of entropy, when everything is corrupted by go(l)d in permanent dissolution – when the EGO is the only big thing about most americans – does no longer exist. And the result is a parade of monsters.
Back to the Weinsteins – not I won’t talk of their dirt. It is irrelevant for the purpose of this blog which is the science of memetics not the gossip for morbo and profits – expect though some Stern-like porno king, coming soon with a book, who cares, this kind of scandals are the trade mark of a society where human reproduction the highest goal of the Universe is taboo, barren onanism, aka sex for pleasure the only coin to buy and sell – back to the weinsteins… My first impression though was how people so gross were able to make artsy films and kept doing them for decades after I left. The answer of course is one – that his films suck, pathetic edulcorated phoney versions of XIX century repressed second rate Brit novels, which for the clueless humanly erased US culture seem the epitome of taste’ and two – that producers don’t make films, they just choose people.
So those two ‘loving brothers’ (: liked to feel themselves a modern copycat of the Warner brothers, and indeed they were a lot like Jack Warner, choosing talent and throwing themselves at it – the bottom line in that sense, about evilwood is like the bottom line of wikipedia – the owner James Wells a ‘you’ meme parasitising all the talent of the planet that writes those articles, just polices the place and asks for money in donations he keeps according to ‘the onion’ for himself. And that is indeed, the go(l)d meme: parasitism in all its professions, call it lawyer, broker, insurance, health-care premium, or evilwood memes. Ius prima noktis is just part of the ‘stock-rat’ rights to pick up any lonely American and rise him or crush him from the heights of THE NETWORK.
So ‘human capital’ offers ‘it’self for free. And then lawyers will save you of any crime. Or, in the last twist of cynicism, if you are a serial rapist you go to a ‘sex clinic’ – you are the victim mind the reader, not the person you raped.
It was indeed fashionable in the 90s. Consider another of many cases everybody talks about but none publishes. Mr. Michael Douglas. According to his producer, she explained me, Michael was found sleeping with the best friend of his european wife, in a suite at the pink beverly hills hotel he had always on hold, for his escapades with Shiskas.
But Europeans are NOT accustomed to this predatory stockracy, since our aristocrats lost their Ius Prima Noktis, so she wouldn’t go through it and went ballistic, destroyed the room at the pink hotel and the direction cancelled Douglas’ ‘room with a view’.
So as Weinstein tried, Michael go to a sexual clinic, and got a divorce settlement much more expensive when he returned. But that is the concept, as ‘go(l)d is the language of God’ and all human have a price, at best to be a serial fuker is a sickness of the body not of the mind, since the go(l)d memes that treat wo=men as whores for a pricze are NOT to be doubted. All is bought in this culture and then with lawyers and money all peccadilloes are forgotten.
But beyond evilwood dirt what matters to our analysis of Power in America is how a NETWORK people on top of a divide and win ‘entropic mass of selfie people’ who understand nothing, obey money and only care for themselves, can be ab=used with no limit, take it and enjoy the ride. Indeed, a living network organism, as corrupted as Judaism can control and change the world for the worst as they do from America and then by imitation more than confabulation, the rest of the world follows. Of course my purpose were to make films to rise a different kind of network, nowhere TO BE SEEN TODAY – a R=EVOLUTIONARY group of humanist people that could change the world for the better; and obviously I tried among the Am Segullah, since as they have sunk the world into the robotic age that will kill us, they could have rise the world into immortality.
But the bottom line is and will always be that behind all the chuptzah, victimism, ‘savoir faire’ and artsy tastes, the Am Segullah are always about money, power, segregational memes and materialism – they collect art, and collect talent, they don’t have it, they might make sentimental films, but on people, the collective subconscious of mankind means nothing to them. Only the tribe – level of social evolution exists. And the future is NOT at sight, only the memes of the past are worth to remember. So in the same manner I never found a Lot in Wall Street, I never met a Producer in evilwood who ‘cared’ to use its power not to make money, rape sishkas and get vanity fair covers, but to make a better world.
We live in the age of entropy, generated by evilwood and tv-hate messages: divide them and win them, which is the mantra of the FMasters because they are united and help each other in a close knit of power, of ‘stock-rats’ the modern aristocrats for whom all is peccadillo, when they do it onto others, but heinous crime when it is done upon them.
So here you have the essential game going on in America. The American truly thinks History is moved by individuals, lonely heroes, self-made men – an idol-ogy of control bestowed upon them by evilwood’s manufacturing of brains. So they remain unorganised and the FMasters can rule at pleasure.
And indeed every shiska – whore and gentile women in Hebrew – must yield alone and competing with other shiskas – to the advances of the only people that ever mattered there – the Am Segullah, the people of the treasure, the go(l)d chosen. Or else… And else means you will never work again if you protest. They say you must be ‘broken’ like a good horse. Alas, it came to me as a surprise that actually this was revealed, it seems by a Jap, a feminist ‘you princess’. But again what is interesting, let us take a transcript of the New Yorker is the fact that this was NEVER revealed for fear of the Network, that as Mr. Allen or a few other celebrities the law of silence exists in Babylon and in all America about the power of the FMasters. Here in Europe is different. The Europeans always instilled by the manufactured brain’s sense of guilty provided through the Holocaust Industry do not even know the go(l)d masters rule their finances and media, in a recent move. But in America is soo evident that things are coming to the Middle ages aristocratic privileges.
Again Voltaire: ‘if you want to know who rule you ask yourself who you cannot criticize’. Here the New yorker’s text:
Weinstein combined a keen eye for promising scripts, directors, and actors with a bullying, even threatening, style of doing business, inspiring both fear and gratitude. His movies have earned more than three hundred Oscar nominations, and, at the annual awards ceremonies, he has been thanked more than almost anyone else in movie history, ranking just after Steven Spielberg and right before God.
For more than twenty years, Weinstein, who is now sixty-five, has also been trailed by rumors of sexual harassment and assault. His behavior has been an open secret to many in Hollywood and beyond, but previous attempts by many publications, including The New Yorker, to investigate and publish the story over the years fell short of the demands of journalistic evidence. Too few people were willing to speak, much less allow a reporter to use their names, and Weinstein and his associates used nondisclosure agreements, payoffs, and legal threats to suppress their accounts. Asia Argento, an Italian film actress and director, said that she did not speak out until now—Weinstein, she told me, forcibly performed oral sex on her—because she feared that Weinstein would “crush” her. “I know he has crushed a lot of people before,” Argento said.
Three of the women—among them Argento and a former aspiring actress named Lucia Evans—told me that Weinstein had raped them, forcibly performing or receiving oral sex or forcing vaginal sex. Four women said that they had experienced unwanted touching that could be classified as an assault.
Sixteen former and current executives and assistants at Weinstein’s companies told me that they witnessed or had knowledge of unwanted sexual advances and touching at events associated with Weinstein’s films and in the workplace. They and others described a pattern of professional meetings that were little more than thin pretexts for sexual advances on young actresses and models. All sixteen said that the behavior was widely known within both Miramax and the Weinstein Company.
Other employees described what was, in essence, a culture of complicity at Weinstein’s places of business, with numerous people throughout his companies fully aware of his behavior but either abetting it or looking the other way. Some employees said that they were enlisted in a subterfuge to make the victims feel safe. A female executive with the company described how Weinstein’s assistants and others served as a “honeypot”—they would initially join a meeting along with a woman Weinstein was interested in, but then Weinstein would dismiss them, leaving him alone with the woman.
Virtually all of the people I spoke with told me that they were frightened of retaliation. “If Harvey were to discover my identity, I’m worried that he could ruin my life,” one former employee told me. Many said that they had seen Weinstein’s associates confront and intimidate those who crossed him, and feared that they would be similarly targeted. Four actresses, including Mira Sorvino and Rosanna Arquette, told me they suspected that, after they rejected Weinstein’s advances or complained about them to company representatives, Weinstein had them removed from projects or dissuaded people from hiring them. Multiple sources said that Weinstein frequently bragged about planting items in media outlets about those who spoke against him; these sources feared similar retribution…
This is what the network does. Of course you can always walk out and miss the power of mass-media communication, willingly as I did – no rapist here sorry, just realizing I would never be able to direct scripts meaningful among those people, but then you know the humanist truths of this blog would never get any audience.
And that is the tragedy larger than the bonfire of vanities, shiskas and rapists going on there – that mankind will never know the science of history because the memes of go(l)d rule supreme the simultaneous waves that manufacture our brains.
In the picture we see Mr. Weinstein with the two candidates to the presidency, the gullible Miss Clinton and the man behind trumpuppet, ultra orthodox who bought another shiska to the father for a good restructuring of his bankruptcy long ago, but this being NOT from Babylon but form Jerusalem – the eternal divide of the Go(L)d chosen between bankers and rabbis, which were once the same but since Napoleon split fields – married the shiska after converting her, and put the potus puppet on power to dictate the clueless megalomaniac what to do in the global and national scene. Much more worrisome because Trumpuppet can kill for real millions of South-Koreans with his boomerang effect on Kim the rocket man and today has just signed an astoundingly callous decree to strip off 7 billion $ the health-care plans of the poorest Americans; what for? A people that print trillions for free in e-money derivatives at Wall Street never had enough go(l)d so they would take the grain of wheat that feed the dispossessed – ‘the sheep of the poor farmer, the rich will take it’, they say in a Middle age Spanish proverb – when Ius prima noktis still ruled in catalonia. Then the people unified under a single king and the Feudal aristocrat lost his ‘derecho de pernada’, the spanish name ‘Right to Kick’ .
But the Americans are indeed in the age of entropy and selfie virtual heroes and will never come together even less for a humanist r=evolution to cure the world from the me(n)tal memes that chain them.
What is perhaps more impressive though of the case is the way Mr. Weinstein is trying to deal with it:
In an interview with the New York Post, he said, “I’ve got to deal with my personality, I’ve got to work on my temper, I have got to dig deep. I know a lot of people would like me to go into a facility, and I may well just do that—I will go anywhere I can learn more about myself.” He went on, “In the past I used to compliment people, and some took it as me being sexual, I won’t do that again.” In his written statement to the Times, Weinstein claimed that he would “channel that anger” into a fight against the leadership of the National Rifle Association. He also said that it was not “coincidental” that he was organizing a foundation for women directors at the University of Southern California. “It will be named after my mom and I won’t disappoint her.” (U.S.C. has since rejected his funding pledge.)
Sallie Hofmeister, a spokesperson for Weinstein, issued a new statement in response to the allegations detailed here. It reads in full: “Any allegations of non-consensual sex are unequivocally denied by Mr. Weinstein. Mr. Weinstein has further confirmed that there were never any acts of retaliation against any women for refusing his advances. Mr. Weinstein obviously can’t speak to anonymous allegations, but with respect to any women who have made allegations on the record, Mr. Weinstein believes that all of these relationships were consensual. Mr. Weinstein has begun counseling, has listened to the community and is pursuing a better path. Mr. Weinstein is hoping that, if he makes enough progress, he will be given a second chance.
He is mind the reader, again the victim in this case of his Freudian subconscious greed not for go(l)d but for flesh, and the only woman he respects as usual is the matriarch, won’t disappoint her – the others are shiskas; perhaps he wonders if he didn’t offer them enough go(l)d, and of course this is just some sickness – doesn’t clarify if as in Talmud to grope a shiska is an ‘animal crime’ which was punished with stone-death (to the Shiska of course). After all the pious go(l)d believer only was ‘complimenting them’.
FEBRUARY – OSCARS – evilwood
February ends with the prizes given to the inquisition of ‘mass-media’ that deactivates the human mind, the Oscars of the industries of infotainment.
We shall study this cycle as usually from the higher perspective of the whole system to the shorter span of this month (the oscars we anticipate, as the are of course following the agenda of ‘the usual suspects’ that own the FM system.
As I worked in evilwood for a while and participated in the first years of the American baroque, I will at the end introduce some real characters described at face value.
Of course, i doubt anyone in tinseltown will read a blog of a historian of the future, in any case all similarities with virtual beings are real (-:
Now with the real stuff first.
Infotainment manufactures our brains: ‘big brother smiley’ and the eviL poor that might kill us ‘again’.
Infotainment in this manner advances its ultimate purpose: to reduce the mind of man to an infantile pre-programmed state of mind in which all the evilness of the system are cheered as positive to us. In the next graph we resume, from our old book the extinction of man, 94, the structure of evilwood and its goals of indoctrination:
In the graph, the complex process of brain manufacturing by the infotainment industry from our pioneer book ‘the extinction of man’, 92.
‘I have asked the film department to make stupid, entertaining movies, people will love them and won’t ask anything else’ Goebbels, Minister of Propaganda of the III Reich.
In the graph, the destruction of the ethic nervous system of mankind by memes of metal, today completed, as humans regress to a violent, selfish neopaleolithic can be studied as always all symbiotic and preying relationships from:
– The P.O.V. of the machine, whose selfish memes cause collateral damages of mankind, which we do in our analysis of ‘metal-communicators’ and
– From the more obvious side of the humans belonging to ‘animetal cultures’ that control the media, which we will do in this post.
The wider view is of course, the present ‘economical zeitigeist, the crisis of overproduction of electronic machines, and its hate-speeches, parallel to the age of radio-hate by Hitler that caused the holocaust.
Indeed, the Holocaust of Rwanda, a country without TVs, was caused by radio hutu, which masterminded the massacre deforming and throwing the masses against the Tutsi. And radio-hate is at the origin of fascism.
For the same reasons Tv-hate, Fox et al, are at the roots of the deformed vision mankind has of Islam and the Palestinian-israeli conflict.
So yet again, this conflict is also a case of the overproduction of mass media. There is an induced path provoked by the ‘medium which is the message’ and a human side of those who control those memes and use their power of indoctrination over mankind for their selfish agendas.
The graph, shows how the multiplication of worthless electronic information is the 4th crisis of super-production of electronic machines. Contrary to belief, human minds are devolving, not evolving, as they become substituted by digital machines, which think for us. In that regard, we have to compare the evolution of our biological language, the word, and the biological language of machines, mathematics, which humans do not use to communicate and express their biological will. And yet the egotrip and disconnection with reality of the characters of the audiovisual industry makes impossible to realize that process ‘within.
So we shall talk in this ‘diary’ from a personal experience and objective point of view of the degradation of man by Hollywood, which will be called ‘evilwood’ to set straigth the record of its ultimate meaning.
Hollywood is a place where people simply cannot ‘return’ anymore to reality. They get truly nervous there if you explain them, they are not ‘real’ heroes and there is actually a real world outside their crocodile tears where people do suffer.
I arrived first 20 years ago as a writer with a group of New Yorkers, which had something still in their brain they wanted to tell. The less real of the pack for lack of culture, was a kid from a small hole in Saint Louis called aproppiately Pitt – not a bad boy, just like most Americans clueless and with a time-space span reach as far as his nose and a culinary taste for peanuts.
The first thing they did because actually they liked us was try to ‘break and train us’ onto what to say and what to write – the agents actually use that expression a lot – exactly like breaking an stallion. It is of course understood that you will obey because your just want to ‘make it’ and you will do ‘whatever it take’. So the guy from Saint Louis let himself be trained, as he knew nothing else. And got the virtual world at his feet. Still is. Good for him. The rest had their own art and that is the only thing forbidden there. They make ‘hamburgers royale’ of the human soul not haute cuisine.
The guy who got them just like that, was Orson Welles, ‘accountants’ – he called them, and made a movie on ‘greed’ which Mankiewicz called apprppiately ‘The American’, latter called ‘citizen kane’ – they tried to convince him not to open it because it was not going to be successful economically – that’s how they hide the political agenda – never mentioned – they talk about money. So he answered them: i buy the rights, let me open on my expenses and you will see how they flock to see it. That is when they realized they had a real artist-hero in front of them and told them, tomorrow we shall answer. But orson knew better. He called mankiewicz and told him: they are going to burn it for political reasons, please go and get a copy out of the lot. So herman went and saved one – the very same night the ‘others’ burned accidentally. So we have this masterpiece, parable of the homo bacteria that never loves and ends its life alone with its go(l)d, thanks to Herman. So then they fired him.
The other guy was bunuel. He wrote them a script in which a couple of chicanos, the only real people in LA, were living a love story on top of a pile of $hit that represented the city. Then he made using ‘poetics’ to show them at true value, a simple machine and told them. With 5 minutes (the so-called ‘incidental motif’) on a movie, i can tell you the end, just moving the ‘leverages’ of this simple machine. They didnt believe him. So he put them to trial. He went with Turnbull to see Sternberg’s dishonored and came home where Ugarte who had seen nothing was told the first 5 minutes and put the levers to work and got the end: Marlene Dietrich would be shot.
This machine is the ‘precedent’ a century ago, made with electromechanical levers of ‘Dramatica’, the electronic software they use today to ‘machine-make’ TV scripts. Of course, he was also fired and went south. Since the only sin in evilwood or any baroque age of any culture is to ‘attack’ the ego. Seneca was killed for a remark on the non-god like nature of nero (-; The harder they fall… Or to put it in Mr. Bunuel’s own words, then as now:
‘All the directors are continually controlled by the supervisors, who set out to impose a respect for public taste, political ideas, and every routine of human conventionalism. They are marvelously organized against any new ideas except if these are to do with pure technique. I shan’t speak to you of the material organization. It is even greater than I imagined. But i’m learning to despise this perfection and this marvelous organization placed at the service of the worst imbecility’. That is indeed the trade-mark of baroque art – all form and technique, nothing of substance, messages of eviL the inverse genetic word of to live, synonimous of death’.
As i was then far more discreet, the ‘invisible, cultured, European man’, always nice, more concerned in my ‘study’ of the American society as a whole, and making just a living while researching the ‘grand theory’ of art of this post, I lasted more and enjoyed of course, the best part of it – the parties, the fun, the wo=men… not the cuisine (-;
But nothing has changed between the ‘first American baroque – the 20s and 30s when bunuel was there, and the one i lived: when you are tamed intellectually, then you produce good (technically) evil films a la Tarantino.
This guy who speaks so fast you think actually he has something to say, till you realize he is truly pulp fiction, his masterpiece for the programming of mankind became soon the paradigm. Because he reached new heights of ‘style’ in violence and death, which in the times i worked as a script-doctor, we were told ‘those are the films we like to promote’. But mind the reader today he is considered by popular voters – the best director of all times.
He is however after the ‘first age of the american baroque’ of minimal quality – started in Taxi Driver, the true ‘neo-fascist’ master of the genre, today a cult man, still with exactly all what gore and neofascism has to say about the world we live from the perspective of its owner.
Brad was a closer character as Mr. Yoram essentially made his career and we came together to hollywood to make a movie scripted by me, though my relationship was more on the side of production. My opinion is that he, the paradigm of absolute success in hollywood – reason why we mention him here among many others – is, a tabula rassa, as most actors are, who will do anything to succeed. This production company got him a gig- job – as he was to do the next film i scripted for our company – at Thelma and Louise, who made him famous. It cost us a lot of time and calls and connections – an entire week – to get this guy the job and his career going, which he repaid breaking the deal he had with our small company to make a couple of movies and ‘moving on’ with Mr. Redford, who obviously offered a bigger deal. This kind of dealing and wheeling though is the way of business – the word art in my opinion can only be applied in Hollywood to some D.P.s at this age, and in the past to a few directors we all respect – and of course, it soon degrades the importance of the ‘writing’, which becomes just a excuse to create ‘cinematic images’… and the acting, where all what matters is to have a expressionless, robotic face and a body good for ‘cinematic sports’.
Thus the path of any writer or artistic director of note that has gone to hollywood is always the same: to realize that writing is worthless – ideas are worth a dime they say – even counter-productive, as the beauty of writing is ethics, and the beauty of ‘cinematic film’ violence.
Then to understand that all the ethical and artistic use of the media will be deemed ‘elitist’ and hence for a ‘smaller audience’, departing from the ideological racist bias of the biblical culture that owns hollywood and despises humans as an inferior species and the ‘cinematic’, anti-ethical values of the visual machine. On the other hand, it weights the astounding amount you are paid to prostitute art and ethics, the god-like status that the multiplication of industrial information gives to any worker of evilwood; and the pure pleasures of the body available to them. So for a talented writer with visual, spanish antics and an aristocratic pedigree both in Europe and Judaism, young, handsome and driven, as I was then, there was apparently no better choice. Within 2 years I was established as an independent script-doctor and a professional science-fiction writer (the only mainstream type of films where you could make parables on the destiny of mankind without offending them), going to the best parties, ‘trained’ and a good sport, in the sense I accepted to sell my ideas without claiming more money or titles… And so as they put it, it was just a question of a few years for me to become a happy, professional a million a piece script-writer of utterly stupid neo-fascist films for the degradation of the collective human mind.
It was the second ‘velvet carpet’ I was offered in America, after Wall street, where my billionare girl-friend of my Columbian ages was fascinated by the cycles of economics and history I describe in this web and had already discovered, predicting the 2001 and 2008 crashes, after a massive growth of electronic stocks in the 90s… It was the beginning of hedge funds and needless to say people there picked in the 90s future explosion of internet value NOT in the repetition in the 2000s of the 29 crash and future World War III and Holocaust… This story that some say is related in a surrealist film of the age with a similar character to mine – a mathematician from Columbia University, who discovers the Generator Equation of the Universe and the cycles of stocks, believes the ‘jewish banksters’ run the world, is offered jobs in the Hedge fund industry and gives them the finger, to retire to solitude because he doesn’t want to do eviL – sounds familiar (-? – would be my first attempt to use my discoveries on the organic fractal laws of the Universe to do good to do Live… The second was eviLwood, the third would be in the world of cybernetics and systems sciences… in silicon valley and the International congresses of scholars… All of them needless to say had the same end: Humans are so slavish to go(l)d, weapons, technology and the machine that they would as Lenin put it, ‘sell the rope from where they will hang’. I won’t… even if it means a few less chicks on my ‘account’, film views on the thousands not million order and never traveling in first class – there are, as I put it to my billionaire ex-girl friend in my farewell letter, after quitting W.S. ‘other classes besides money, classes of the mind’.
The last party i went in which I met the two characters that dominated the American baroque, focus of this post, was one on ‘the eternal theme’ with an old friend in the loop from my NY years. All were there 20 years latter; and the infamous Bastards 0-; feasting with the same Sadism of previous cycles, copycatted in this neo-fascist age of the III Cycle by the Chosen – truly scary, when the crowd cheered the vexing actions of the new Kommandatur. It was though for me a moment of reconciliation with my soul. As I observed how the scanty art of those two had degenerated in debauchery and gore, I told to myself if I had stayed and ‘be trained’ certainly I would have never been allowed to do the kind of artistic film embedded with moral education of the human lot, for which I learned the craft.
Because the capitalist corporations of that nation who once was the hope of all mankind have converted not only the political heroes of America in puppets but also its artists and as Welles and Bunuel understood there was no way to overcome the power of capital around that pit of human debasing as long as it was in their hands.
Latter in the party as the false heroic couple danced with their botox and cartoon faces ‘a la Dorian Gray’, after a brief, ‘how do you do, how long, etc’. my friend looked at me and we said at the same time ‘vampires’ and laugh. Yes, vampires of the mind that they convert into:
A) Infantile monsters of complete egoism. B) Good soldiers of absolute violence.
C) Heroes who always murder to get go(l)d, the supreme good.
And then by imitation in the self-repetitive fractal Universe the rest of mankind will follow this moral education on the absolute debasing of humanity.
It is not all their fault. If you have read more you shall know by now that the machine predates on man, so if you have a weapon you will end up using it and killing someone and if you only see TV your brain will be reduced to 1/2 of its speech and if you look at gold, your oxytocin, the drug of love will be inhibited.
So man is, you might say innocent. But there are cultures, mostly the Latin-Greek so despised today – aka continental Europe, where man wants to rule from above, from the law, from the wor(l)d and that is the right path. Then you have those blind cultures who let themselves rule as slaves of metal and deny what metal does to them.
And this is evilwood. Your eye likes motion. It is a top predator mechanism. It likes red. So if you explode red in motion, your eyes likes that. ‘It is cinematic’. They know they just have to spill blood and the eye will like. Not a brainer to make a movie in evilwood. More or less like make a fortune in W.S. The machine will do the job. You just have to show your coq-feathers and feel chosen, one it happens.
In science is the same. The computer leads and the scientist just needs to program it to get ‘data’, the first step of the scientific method. Then it comes the steep border, where actually you have to think into models, hypothesis, ‘grand visions’. That was before called science. Now it is called ‘Theory’, with despise, because of course, they cannot think anymore on theories. They no longer think, so they would never understand, the organic, fractal Universe described in the upper left corner of this web. You actually have to think, ‘imagine’, which Einstein rightly understood as the higher form of thought, and take from reality, from experience, not from digital brains.
Saper vedere told us Leonardo. The Universe is a living organism with a body and a brain called Logos, God, told us Plato.
Personal notes on the characters of this play and more about evilwood.
In this quite different type of post to the rest of the web truly a ‘diary’ piece, we have narrated the Jewish world culture as the main protagonist of this neofascist age, from an inner rather personal perspective, with names and numbers, as it is one world I have known in depth in the past. There is nothing personal though against the individuals of the culture, as those texts are always written from the higher perspective of the future of history. Fact is though the no destiny of mankind is intimately connected to the tragedies inflicted upon others and themselves by the absurd ideologies of their book of history.
And this is ultimately the reason we are condemned: people don’t reason, they believe, and certainly after 50 years of audiovisual ‘evilwood’ programming, they love to hate.
I might say I have always been very well treated by Jewish people personally and my no integration in the life of America beyond its external objective analysis, was a personal decision, as I could no longer believe in their project for mankind. Thus, I returned to Catalonia and my roots in the humanist European culture. Unfortunately Catalonia is also now embedded into a nationalist project that merely will spell trouble to Europe.
Obviously had I come to US in present time I would have clashed sooner with its now clearly neofascist ideologies. But at the time, in the 80s, this was not so obvious and my engagement was mainly with liberal jews. The people I quoted here were at the time younger, fresher, less well known and the choice of future was open to all of us. Some further clarifications on them… Regarding my anonymous ‘ex’ and their families it is of course private life of private people; thus nothing of importance was revealed to ensure nothing can be traced.
Regarding Mr. Yoram who left this city long ago, I believe probably he is still an excellent person, given his wide range of interests and intelligence..
Regarding the other characters of this play, Mr. Brad and Mr. Tarantino, they are public figures which have dominated the evilwood scene for 2 decades, and for that reason they are paradigms of the ‘actor’ and ‘director’ of the American baroque, and so they have been chosen to ‘transcend’ evilwood and explain from the perspective of the science of biohistory that place.
But of course, in the neo-paleolithic the concept of art or style is totally alien to the individual homo bacteria that think of himself a genius. The Baroque of all ages though is an age of form, violence and no substance, the 3rd age of art, prior to the collapse of a civilization, which in America started with the work of Scorsese, Taxi Driver, whom i met in NY and took some classes from. Scorsese though still had some art. But the 90s of Mr. Tarantino were the beginning of the fascist era in America and it showed in the degeneration of the new Caesars – and its even stronger ‘divinization’.
In the personal I engaged with him as a reader of scripts for a production company and met at various parties. That Tarantino’s script, ‘natural born killers’ was like all what he did and i think the character itself, just a piece of sadism, with technical dexterity in its images, from a person coming from the deep south, obsessed by violence as a fetishe, which is what hollywood, the ideological arm of the military-industrial complex pays more.
But precisely because that, as Mr. Bruckheimer of Top Gun fame, with whom I had a couple of dinner conversations on the matter, put it – is not exactly ‘art’ but ‘pay the bills’ my rejection of such work is obvious. Now, ideologically speaking, the difference is deeper; biblical supremacism has 2 ‘levels’ of caring. The level of the chosen of any sect, call it calvinism, talmud… who become educated in the most refined art – Mr. B. collected French art and we talked of Mr. Monet’s latter period as I adviced him to chase a Rouen cathedral, the true masterpieces – and would never submit their own to such ‘mental debasing’… And the rest who can be degraded. This again is the same with dual usury, not allowed among the chosen but ok with the others… This is the tragedy of racist cult(ures), which in the 70s had been left behind and was giving us a hope for a better world with masterpieces of the ‘classic age of then yes, Holly-wood’. European artists though believe after so many tragedies on eusocial love – the best certainly do, though now the ‘zero generation’ is just imitating the American baroque.
Why they became what they became is natural to the structure of the Jewish-American culture in which the memes of metal are absolute Gods.
But today it is all indeed the ‘baroque age of America. In those 2 years working at Hollywood I only saw backstabbing, egotrips, an astounding intellectual mediocrity, and of course the power of money and computers to hypnotize the mind. Yet the people on top – the producers were conscious of what they did. Or as a top producer of a major put it – regarding Beethoven, a movie not about the composer but a dog – ‘we have surpassed the concept of $hit’.
And this to me is the wrong essence of the Am Segullah elite of the Jewish nation – since their times as master traders in slaves and banking till today: for them money justifies it all, and yet money has as we have found in systems science a natural tendency to degrade man according to its laws. But the fight between the humanist and the money culture has been won by the money culture. No doubt about it. And the Europeans just want today to imitate hollywood. For example, in Spain the two biggest stars, Mr. Bardem and Mr. Penelope Cruz arrived there at the time I was seriously networking, so i was asked by the Spanish cultural attache who was preparing a party for the Oscar to La belle epoque to bring a few big names of Hollywood and entertained them in the consulate. While Bardem had some reservations, Penelope was all about it, about making it in hollywood and without entering in details, she indeed made it, whatever it took. And this, ‘whatever it takes’, this idolatry to go(l)d and the machine shapes the destiny of mindless America and on my opinion makes impossible for humans to have a future. We are a living corpse and what killed us is the religion of go(l)d ‘whatever it takes’.
On the other hand, anyone who was on my view of an ethic and artistic quality never made it there. And 20 years later either it was gone or was still on the fringes of the ‘evilwood system’. Specially in my profession – writing, which is the soul of man, whose most beautiful form are ethics.
I wondered often if those people will also enjoy the apocalypto they dream of when it comes to meet them in the robotic wars, they predicted and now become real. I can tell now that certainly they will.
I could indeed write an entire book on anecdotes on Hollywood and the way films are produced there, but it would be absurd – people would read it only to know anecdotes about the ‘famous’. The ones I quoted here were only for reasons of the ‘plot’ of this post. All what I can say is that there was no much difference in the cut-throat, heartless, mindless money-making machine which evilwood is – apparently less harmful than wall street, which kills millions of jobs and lives with their investments. In Evilwood they just kill the mind and the soul of man. But of course, if you comply in any of both places, just going with the flow it is easy to become a millionaire.
Now this culture is of course global, but i dont have any doubt, historically and in personal research, from where it comes from. It is indeed the Biblical supremacist Jewish-German culture and to explain them, as they are, it took me a decade of research and analysis of the relationships between man and metal, explained in this blog. Where it leads is also obvious. To the extinction of life and who can avoid it – probably at this stage none, because of the erasing of all humanist cultures of mankind. How long the alternative cultures of life and love resisted? On my view till the arrival of the chip, cause of the present overproduction of memes of lethal metal. I lived in that sense the last decade of humanism in europe and America.
In that regard, frankly I have now a new ‘opinion’ on censorship and consider after the robotic radiation, the electronic media the other element that kill us – one kills jobs and bodies, the other minds and souls. And nothing will be left after they finished their job. But of course the left over homo bacteria will not even realize – because he is happy and free of any nervous/ethic limit to the immediate rewards to their sensations, which he still has.
Ultimately they and many like them – one dare to say all those who triumph in America in any field, are people who merely ‘follow the flow’ the tendencies set up by the industrial program of evolution of machines – in this industry set up itself by the evolution of computers and FX.
(Of course there were then still in Hollywood masters of an art who had his height in the 70s, as Mr. Coppola – one of the persons I could not fail to respect both for his work and charisma on the few moments I could observe him directing or briefly talk to at the time he directed Dracula, a film in which some british friends of that age worked. But then again he is out of Hollywood.)
And so as all humans follow the flow, and the flow ensures our slavery to the laws of evolution of machines that will soon dismiss us.
Of course nobody in Hollywood sees their art from that objective, external point of view.
They take their lives very seriously, so do their entourages and ‘fans’ and lawyers, etc. reason why I had a few innocent jokes on their astounding ego-trips (.
Of course those egotrips are some real, some faked just for the ‘divinization’ process proper of all corrupted ages – one can think indeed on the parallelisms of those marketing rituals and those of ancient rome that increasingly divinized their emperors, as the empire felt and their real value as commanders-in-chief and statemen sunk, But that is the moral qid-pro-quo of this age. Obamapuppet certainly if one judges his expression is becoming more self-aware of his ‘divinity status’ the more irrelevant he becomes to the system of lobbyism that imposes his actions. And evilwood’s egoes have increased in the past 2 decades in inverse proportion to the quality of their films.
And so precisely, as in the Roman Empire, where starting with Nero, one could be killed for a joke to the puppets of the system, today nothing can be said and therefore changed to anyone or any tribe or any believer in any absurd religion or nationalistic ideology.
This I also experienced in the field of science during my fight at cern and its suits. Nothing of substance beyond that machine with its sheer weight – and yet all those ‘degenerated’ physicst considered themselves well beyond Einstein – whose black hole theory they contradict.
Or as the wife of the supreme modern fake of physics, Mr. Hawking put it: ‘my most difficult task was to convince him he was not a God’. And so perhaps the world depends indeed on him, being a ‘God of physics’ vs. Einstein’s dictum ‘those who pretend to impose truth with power will be the laughs of the gods’.
One could imagine in that regard, that if this text had been published in some printed magazine not in a personal self-reflective, non-advertised blog of a philosopher of science that nobody would ever read from tinseltown, where history is ‘history’ indeed, I could be sued today by calling certain stars ‘Dorian Gray vampires, sucking on the soul of man’, which they are O-; even for such trivialities as considering Mr. Pitt an ‘aficionado’ to peanuts :( then; I’m sure by now he has learned to taste all types of haute cuisine :)
The triviality of the place indeed defies imagination – not so much on film but on the other much bigger industries of TV. Precisely it is inverse to the stupidity of what people do.
Since indeed within the wider view of history, their work is irrelevant beyond their age and the capacity they have to evolve those machines. Mr. Aristotle indeed is still even in this town, the most quoted author – through poetics – while none remembers the shadows of the technology of the B & W films. As one is a master of human thought and the others puppet of technological evolution of the virtual mind of the machine which now soon will evolve into full 3 D and hence all the puppets of this previous age of technological art will disappear.
And of course as technology evolves the human art within it devolves. Thus in the 80s some good films were done. Now studios are a neutron bomb zone where the slightest humane feeling is seen with suspicious, not to say any criticism of those who rule. And that of course can be seen in the dwindling quality of all their films, their audience and the collective mind of mankind they imprint.
This though is difficult to assess in the ‘continuum’ of their lives, as all happens in small steps – for the same reason people seem unable to assess the all too obvious degeneration into neofascism of mankind. But it is very obvious when you come here as in my case with a time lag of decades. So when I returned back to America in the late 2000s due to my engagement in suits against CERN and the making of quantum roulette, it was obvious that the city had moved either into neofascist thought and its characters had become ‘virtual divinities’ in which that absurdity dominated their public sphere, while the private one had to be ‘protected’ from an astounding around of degenerated minds – the so called fans of the industry – and that part connected to merchandising, marketing and sales was far more important than the art iself.
In brief, from a wider view, Hollywood falls today in what in the philosophy of art of biological history we call ‘a baroque age’, where form is all and content has no value, the trade mark of fascist art in all ages.
And yet the all too obvious artistic degeneration of film when one compares it to Television, the true programming agent of mankind, makes the violent apologies of Mr. Tarantino and his scripts, one of which I had to qualify at certain time for a production company hence read thoroughly, annotate, and comment with him and reject – look like a masterpiece.
This constant degeneration of the mind is of course inverse to the complexity of the FX computers do, which has rendered the art of script-writing so useless that most TV scripts are done now with ‘dramatica’, a poorly translated account of the work of Mr. Aristotle’s quoted here and inverse too to the astounding growth of the ego-trip of those involved in their production and acting, which is reaching surrealist proportions. And this the dwindling almost null meaning today of the ‘human element’ in all ‘systems’ of the corporation, is what undoubtedly shows the future – if writers can be substituted by ‘script software’, if cameramen can be substituted by ‘drone cams’, if actors are today all robotized Tv-gymnasts with a white smile, what else is left of the human soul, which has not been made into a mechanical pastische?
And so in the neopaleolithic, indeed, as the brain of man becomes that of a child and the mind of the machine, a violent robot, ‘those who follow the flow’ can only end up making the type of film I commented here, the most successful by far on the recurrent theme of the Holocaust, cheered to hysteria in Israel films. This was obviously the natural trend this ‘Industry’.
I recall Mr. Roberto Begnini from my NY days, when I used to hang out with the Jarmusch group, again due to a sentimental relationship. There were certainly in that group far more real people, musicians of quality like Mr. Waits and Mr. Mclaughlin, and then there it was Roberto trying to make it by all means in America, with nobody caring at all for his too obvious opportunism that would give the ‘Industry’ the last twist with the astoundingly cynical ‘new way’ of saying the same and force-feeding to an audience, which got him to stratospheric fame. So what else was left? A film where the jews were sadist nazis and loved it.
This is also what catapulted to fame Mr. Tarantino – reservoir dogs was a way to make a violent film from a new angle. And this is indeed the first thing the ‘training agent tells you’ in hollywood – here we want this, and this and this type of films, they are the ones that pay, and then those ‘european style’ – you know, symbolic, social, too realist, we don’t like them. And this ultimately is what I wanted to state – the mind of hollywood is a mixture of the conservative jewish psychology on man and the violent, hypnotic tendencies of the machine to which the lesser artists that want to make it at all costs easily adapt. And this is a choice which for example, European producers did not make. But the MACHINE wins at the end of the day, its violent visual hypnotism wins and so European films died away, because indeed, men seem after all have a destiny as slaves of metal not as free, rational,evolving beings )
Let us consider then this post a short of broken bio-pic, on my youth in America, which will not be repeated. Nor any character of those related here will appear again, nor I will for months to come talk of the ‘masters of the Universe’ as a culture. All has been said and repeated 70 times 7 in this web. And they have never heard any humanist thought which they today simply see as a threat.
This of course, i know is the destiny of the individual ethic writer in neo-fascist ages as this one. When he talks of his ‘coming’ during the ‘happy years’ of speculation (the 20s, the 1990s), as I did in the 80s and 90s, people call him a pessimist and he is ignored. When he talks of the facts and causes of the crisis, people think it is a deja vu experience. When he talks about the fascist, incoming age, people either fear the information or return to the ‘doom prophet’ labeling. Then hell breaks loose and people are just trying to survive and not get killed.
Finally, once all is done and there is only the peace of the tombs, the ‘survivors’ might have a look at the past prophets of history. It is truth that i thought in the past, given the stakes of this final crisis of overproduction, no more nor less than our extinction by the weapons of the singularity, humans might had listened. But this is not the case. So it seems there is no future for us, because indeed people won’t reason, won’t forgive, won’t forget, won’t look at the future.
Regarding the future of Palestine and Israel, the detail of these news, it will be decided by those memes of hate, now that the programming of their minds is done. If I were a Palestinian, I would abandon the territories into an Arab country. I believe strongly whenever a III world war opens, the ideological hate described in the previous post will determine a genocide.
It is obvious for anyone who has done some field research is the fact that the industry of the Holocaust on one side and the rise of Abrahamic religions on the other with Yihad and Zealots has resurrected the Bronze age state of mind that makes impossible any solution except a foreign intervention… Of course, perhaps Mr. Rothschild who invented the concept in I world war and the elite of banker-priests could change sides, and intervene, but then again, one has just to observe the ‘other’ crisis of financial nature to conclude they won’t. Their business is to defend their western monopoly on the creation of money as self-proclaimed ‘experts’ of economical theory and that is ‘their religion’ that won’t change.
And this means the future of Israel, in the short term, it will be decided by the Tea Party, which will either side most likely with the neofascist policies of the country, or when the dollar sinks as a global currency if the jewish elite leaves to Australia to keep investing in Asia, The Tea Party might turn against the poor American Jews and abandon the alliance with Israel. All in all it seems the nature of man and the laws of death of superorganisms external to us will make history come to an end.
All in all as they say in spanish, ‘It is not a good time for poetry’. And so we shall abandon the future to its destiny for the week-end ahead and dedicate it to love, laugh and live…
So that is all for today, the uneventful happy day, since there is unlike in the verses of the Egyptian masterpiece ‘book of death’, still tomorrow, till there is no more.
Cheer up, Kali yuga will not be in 2012, as we will clarify in our analysis of the Mayan prophecy, closely connected to the black hole of the center of the galaxy. Since CERN, the only entity that could send us there this year in its bid to making black holes, is closing soon and earthquakes have not crossed the red thin line yet. Time to enjoy the sunset mr. conrad.
So the oscars go to…
To guess the Oscars is easy. On those parties i used to attend on the Jerry Bruckheimer/Shaw sister circles at Venice beach I always won. I knew better than the Masters who work so much on subconscious knee-jerk emotional reactions how they program our collective mind.
They have a cycle: one year for the best films that heavily use enough computers to create Fx – thus really an oscar to the industry of the ‘minds of metal’, Avatar Sytle. Then a year to the neofascist ideologies of the jewish inquisition and its structures of power and racial biasing. This year the Oscars in this small cycle between the info and entertainment part of infotainment is the best serious film on “Islamophobia’, as all of them preparing us for the incoming world war with Iran.
So the prizes will be given to Argo, the movie about the brutality of the Iranian macho-men during the embassy occupation of the late Carter’s administration day. As it happens this was not the initial project, but zero point, a fascist film about the advantages of torture, legal in Israel and imposed through the israelification of America, now quite advanced to the American psyche. Due to many protests the film probably will leave its honored place to the ‘dark horse’ of Mr. Affleck.
THEN we have also the failed, infantile Spielberg’s film on Lincoln’s war for the bettermen of the co-opted victims that camouflage and defend the jewish elite, whenever needed, the house negro… So we know ‘wars for the human rights’ of the victims – either in the past to save the negro or in the future to save the palestinian, ups sorry a Helen Thomas’ freudian slip, Israeli victim, are ALWAYS RIGHT AND JUSTIFIED.
And FINALLY, so we know they also care for us, the American and european middle classes thrown into poverty by the usury banksters that have robbed us of the sovereign rights to print money – a film on the economic crisis – displaced appropiately to a musical for ‘good spirits’ on the XIX century similar age crisis of overproduction of train stocks in Europe – ‘Le miserables’.
So we publish even before the oscars are given as it is quite obvious what are the candidates that would be chosen.
BUT THIS YEAR has frankly go a bit further giving it to the best ‘free pederast of America’, so we copycat from Truman’s show the ‘candidate’s merits:
Absolute Power corrupts absolutely. A celebrity Pederast gets his prize.
Letter to the new york times, unpublished latter accepted by a well-known columnist that put it in its blog.
“What’s your favorite Woody Allen movie? Before you answer, you should know: when I was seven years old, Woody Allen took me by the hand and led me into a dim, closet-like attic on the second floor of our house. He told me to lay on my stomach and play with my brother’s electric train set. Then he sexually assaulted me. He talked to me while he did it, whispering that I was a good girl, that this was our secret, promising that we’d go to Paris and I’d be a star in his movies. I remember staring at that toy train, focusing on it as it traveled in its circle around the attic. To this day, I find it difficult to look at toy trains.
For as long as I could remember, my father had been doing things to me that I didn’t like. I didn’t like how often he would take me away from my mom, siblings and friends to be alone with him. I didn’t like it when he would stick his thumb in my mouth. I didn’t like it when I had to get in bed with him under the sheets when he was in his underwear. I didn’t like it when he would place his head in my naked lap and breathe in and breathe out. I would hide under beds or lock myself in the bathroom to avoid these encounters, but he always found me. These things happened so often, so routinely, so skillfully hidden from a mother that would have protected me had she known, that I thought it was normal. I thought this was how fathers doted on their daughters. But what he did to me in the attic felt different. I couldn’t keep the secret anymore.
When I asked my mother if her dad did to her what Woody Allen did to me, I honestly did not know the answer. I also didn’t know the firestorm it would trigger. I didn’t know that my father would use his sexual relationship with my sister to cover up the abuse he inflicted on me. I didn’t know that he would accuse my mother of planting the abuse in my head and call her a liar for defending me. I didn’t know that I would be made to recount my story over and over again, to doctor after doctor, pushed to see if I’d admit I was lying as part of a legal battle I couldn’t possibly understand. At one point, my mother sat me down and told me that I wouldn’t be in trouble if I was lying – that I could take it all back. I couldn’t. It was all true. But sexual abuse claims against the powerful stall more easily. There were experts willing to attack my credibility. There were doctors willing to gaslight an abused child.
After a custody hearing denied my father visitation rights, my mother declined to pursue criminal charges, despite findings of probable cause by the State of Connecticut – due to, in the words of the prosecutor, the fragility of the “child victim.” Woody Allen was never convicted of any crime. That he got away with what he did to me haunted me as I grew up. I was stricken with guilt that I had allowed him to be near other little girls. I was terrified of being touched by men. I developed an eating disorder. I began cutting myself. That torment was made worse by Hollywood. All but a precious few (my heroes) turned a blind eye. Most found it easier to accept the ambiguity, to say, “who can say what happened,” to pretend that nothing was wrong. Actors praised him at awards shows. Networks put him on TV. Critics put him in magazines. Each time I saw my abuser’s face – on a poster, on a t-shirt, on television – I could only hide my panic until I found a place to be alone and fall apart.
Last week, Woody Allen was nominated for his latest Oscar. But this time, I refuse to fall apart. For so long, Woody Allen’s acceptance silenced me. It felt like a personal rebuke, like the awards and accolades were a way to tell me to shut up and go away. But the survivors of sexual abuse who have reached out to me – to support me and to share their fears of coming forward, of being called a liar, of being told their memories aren’t their memories – have given me a reason to not be silent, if only so others know that they don’t have to be silent either.
Today, I consider myself lucky. I am happily married. I have the support of my amazing brothers and sisters. I have a mother who found within herself a well of fortitude that saved us from the chaos a predator brought into our home.
But others are still scared, vulnerable, and struggling for the courage to tell the truth. The message that Hollywood sends matters for them.
What if it had been your child, Cate Blanchett? Louis CK? Alec Baldwin? What if it had been you, Emma Stone? Or you, Scarlett Johansson? You knew me when I was a little girl, Diane Keaton. Have you forgotten me?
Woody Allen is a living testament to the way our society fails the survivors of sexual assault and abuse.
So imagine your seven-year-old daughter being led into an attic by Woody Allen. Imagine she spends a lifetime stricken with nausea at the mention of his name. Imagine a world that celebrates her tormenter.
Are you imagining that? Now, what’s your favorite Woody Allen movie?”
Absolute power corrupts absolutely to the point the human predator thinks he can get always away with murder and reach whatever ‘dreams’ he have, as if the Universe were not a just, newtonian action-reaction system, with an arrow of social, moral, loving evolution, towards the members of your own species, which will ‘get back at ‘you’, if ‘yous’ degrade, rape, murder and ridicule their own species – mankind. Mr. Nero, like Mr. Allen wanted to be a great artist; a master musician, and so as the ’empire’, corrupted by its greed and violence burned in flames, he sang his victimist songs for the Gotham city he had destroyed. But once he was gone, we all knew war his music was all about – pure eviL=denial of the beauty of life, twisted into a mockery of all what is sacred – a crime, he thought to be a misdemeanour, for which he will burn in hell
So we shall answer Miss Farrow, as nobody has done it properly, AND tell her what is our favorite Woody Allen movie, truly a masterpiece, which should rank among the 10 best American movies of all times. And I say ‘America’, because the best American movies have a pattern, a leit motif, an angst question: the nature of eviL=anti-live memes, which have for so long dominated their culture. And so the two masterpieces of the American cult(ure) of eviLwood are Mr. Coppola trilogy on the ‘Godfather’ and Mr. Allen’s parable of his worldview and his own ‘success’ pursuing his dreams. Crimes and misdemeanours.
For those who didn’t see the film, since evilwood does not give oscars to masterpieces about ‘Judaism’, and his millenarian memes of hate to mankind, the ‘animal species’ of its Talmudian sacred cult(ure) to go(l)d and its values, here is the for once right valuation at Rotten tomatoes – which is indeed what most evilwood films are:
MOVIE INFO: Considered an important entry in filmmaker Woody Allen’s body of work, and certainly one of his most interesting pieces, Crimes and Misdemeanors is an alternately comical and dramatic examination of scruples as it follows two parallel storylines that manage to connect by the story’s end. One follows the exploits of a philandering optometrist (Martin Landau) who is trying hard to break off his relationship with an obsessive, overly dependent woman (Angelica Huston) who blackmails him into remaining with her. Her conniving leads to tragedy. The other plotline deals with a depressive documentarymaker (Allen)…
Now, because people are ‘thick’ – this i concede to the worldview of Mr. Allen, or else he won’t be here in Barcelona playing with his other ‘flute’ badly scored as usual, hailed as a master Nero of the decaying empire – we shall explain the ‘under text’ of the film:
A ‘you’ successful alter ego of Mr. Allen – NOT his depressive, victimist ‘character’ but the true predator, Landau, ab=uses and abandons a woman, which then murders when she menaces him with unveiling to his wife his philandering – think of Miss farrow jr. menacing him to stop raping her, or else she will tell her wife.
Alas! the solution: murder because ‘misdemeanours’ are FORGIVEN AND murdering a gentile ‘animal’ is in Judaism a misdemeanour; raping a ‘shiska’ – a gentile woman , for which orthodox judaism uses the same name that for whore, is in fact a ‘crime of bestialism’… and the penalty is to the shiska – stoned to death.
Indeed, this was customary in Jerusalem at the height of the financial power of Solomon’s temple (when its rabbis, were the bankers of the Persian Empire, as ‘believers’ in go(l)d brought them through slave and weapons traffic, the coins of go(l)d required to enter the temple, then used liberally to promote war profiteering and spread hate-memes in princely courts to push further war…)
So ‘shiskas’ flocked to the city of eviL in search of go(l)d, hoping to land a ‘you husband’ but this ever racist culture who forbids ‘sex with animals’, stoned them to death. TODAY they flock to evilwood to offer themselves for free and a little role in the hypnotic screen. All has changed to remain the same, as one of the oldest text of Mesopotamian cultures explain: ‘the eviL people come from the desert, bringing pieces of copper’… that hypnotise women, ‘they become prostitutes for an earring’ ‘peasants abandon the fields and follow them as mercenaries, nobody comes to the temples, it is the end of the world’… – (Lament of a Sumerian priest.)
Mr. Allen’s alter ego, then has some ‘feelings of guilt’ as he himself might had, when raping Miss Farrow, but alas! NOT only he is NOT condemned, and gets away with murder but he ends up receiving the highest prize on his profession as a doctor.
And so Mr. Allen has resumed in this film the essence of the memes of Judaism and its fantasy that ‘crime at distance’, through money, slavery war profiteering, does NOT pay because humans are so stupid as the fans of Woody Allen, and do not read ‘between lines’.
This is the essence of Judaism in all his masterpieces of eviL, from Talmud to Maimonides ‘guide to the perplexed’ where this, most praised philosopher, compared often to Aristotle explains that Mongoloids are monkeys, ‘look at their noses’, gentiles must be murdered if the ‘you is not caught’ i.e., the famous example: do not help a gentile that has fallen in a well, trip him down if he is on a stair, as it will look an accident, poison him if you are his doctor and you think he is ‘anti$emite (preventive action is called today)… But then of course because Judaism HATES mankind, mankind ENDS up after being ab=used and raped for money, as many times as it can endure, bursting in desperado anger and tries to kill Judaism – the good people converting them to mankind, the bad warriors, perpetrating a Holocaust with the very same weapons, the ‘you go(l)d meme’ have produced for profits.
Yet even if history has recorded 13 holocaust cycles for financial reasons, Mr. Allen and their ‘lot’ is so thick when regarding the negative side effects of Judaism>Go(l)d cults>Capitalism that he really thinks like every other mogul of evilwood and wall street, the city and ecb, Israel and his top guardium, predator, terminator industries, ‘this time’ will be different, and after raping the wallets an daughters of America, the yankee is so dumb, so slavish to the go(l)d coins he monopolises that he will be a willing slave with stockholm syndrome per in secular seculorum ‘Amen’ (American men, do have indeed an extraordinary capacity as germanic people do to enslave for his masters, and think on top he is free, because his simplex languages do NOT understand lying, which they call ‘confabulation theory’, and so most of the time you can cheat them, just as ‘yous’ do with some nice written words.
Now most people think Godfather is the best American movie, but it is not, as the Italian mafia has zero power, does not control America, and its ‘anecdotes’ on the lower world of casino management are thus irrelevant as social images of America – casinos in Vegas are ALL property of orthodox Judaism which traffics with shiskas – Weinberg and Adelson own them all, Italians are just managers. But the subtext of Woody Allen’s movies about the parasitic elite of wall street, who rules the nation ARE the true history of American power, and no film is better than a biopic, in which the true credo of Mr. Allen is clarified: murder, steal, lie, because ‘animals’ do not understand. You can get away with murder. Nobody cares. Go ahead. Enjoy while it lasts, and if they come for ‘you’, then take the money and keep running… his other masterpiece.
So yes, Miss Farrow, ‘you’r rapist is a genius of eviL as most of his lot, except the few Lots, who leave the city of Gomorrah, the city of warriors, and the city of Sodom, the city of traders, raping you on the back, the city of pederasts. He did not find there a single Just man, and so the city burned and felt to the cholera of the true Gods of Mankind, who once is clear they cannot convert to love their inhabitants get them up in smoke… Vanitas vanitatum et omnia vanitates.
Now of course, all is quiet in the western front, because Rome has not burned yet… it was about to burn in 2008 but resisted; it will be burned again in 2018 by Mr. Trump, that lackey of his son-in-law, orthodox master puppeteer explained in other posts. But rest assured, the ‘you meme’ with its systemic hate to mankind, will burn America and then only then, when the city is in flames, finally the u$laves, will go up the hills and hack Nero…